Back Issues 2007-2008

September 2007, XLVI, No. 1

COLUMNS
Pamela Kort on Jörg Immendorff

Sven Lütticken on Gerald Raunig

Martin Herbert and Daniel Birnbaum on Il Tempo del Postino
P. Adams Sitney on Robert Beavers

Malcolm Turvey on Film and Early Modernism
Carol Armstrong on Identity Aesthetics

TOP TEN
Alison Knowles

FEATURES
THE GRAND TOUR
Okwui Enwezor, Overview

VENICE
Katy Siegel, Jessica Morgan, Francesco Bonami, Mark Godfrey, Sven Lütticken

KASSEL
Daniel Birnbaum, Tom Holert, Claire Bishop

MüNSTER
Kate Bush, Tim Griffin

TESTING YOUR PATIENCE:
AN INTERVIEW WITH JAMES BENNING
Scott MacDonald

1000 WORDS: CHARLES RAY
Rachel Kushner

A VIRTUAL REALITY:
THE LEGACY OF DIGITAL ARCHITECTURE
Aaron Betsky

OPENINGS: DIRK STEWEN
Jeffrey Kastner

REVIEWS
Philip Tinari on
“The Real Thing”

Pamela Kort on
Anton Henning

Bob Nickas on
Steven Parrino

Diana Baldon on
Tobias Rehberger

Bruce Hainley on
Robert Rauschenberg

Margarita Tupitsyn on
“Black Square”

From New York, Boston, Chicago, Atlanta, Dallas, Portland, San Francisco, Los Angeles, São Paulo, London, Berlin, Düsseldorf, Cologne, Zurich, Basel, Geneva, Rome, Milan, Vienna, Stockholm, New Plymouth, and Sharjah

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October 2007, XLVI, No. 2

COLUMNS
Maria Morris Hambourg on John Szarkowski

Blake Stimson and Thomas Struth on Bernd Becher

Maria Morris Hambourg on John Szarkowski

Elizabeth Schambelan on The So-Called Utopia of the Centre Beaubourg

Jason Simon on Chris Marker

Julia Bryan-Wilson on 9 Scripts from a Nation at War

Bennett Simpson on David Grubbs and Susan Howe

Aaron Betsky on Steven Holl’s Bloch Building

Rosalind Krauss on “Invisible Colors”

TOP TEN
Rosalind Nashashibi

FEATURES
THE ART OF PRODUCTION

INTRODUCTION
Scott Rothkopf

INDUSTRIAL REVOLUTION: THE HISTORY OF FABRICATION
Michelle Kuo

THE SERVER/USER MODE: THE ART OF OLAFUR ELIASSON
Caroline A. Jones

READYMADE RESISTANCE: ART AND THE FORMS OF INDUSTRIAL PRODUCTION
Josiah McElheny

ECONOMIES OF SCALE: TAKASHI MURAKAMI’S TECHNICS
Pamela M. Lee

ORIGINAL COPIES: THE DAFEN OIL PAINTING VILLAGE
Philip Tinari

THE PRODUCERS: A ROUNDTABLE
Angela Bulloch, Peter Carlson, Lynne Cooke, Jeffrey Deitch, Michelle Kuo (moderator), Charles Ray, Mike Smith, Ed Suman

PRODUCTION NOTES
Andrea Zittel, Roni Horn, Katharina Fritsch, Ai Weiwei, Chris Burden, Sherrie Levine, Sam Durant, Monica Bonvicini, and Urs Fischer

REVIEWS
David Joselit on
Richard Serra

Lisa Turvey on
Frank Stella

David Anfam on
Louise Nevelson

Katy Siegel on
"The Age of Discrepancies"

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November 2007, XLVI, No. 3

COLUMNS
Tim Griffin on CUSTOM MADE

Robert Storr and Amy Sillman on Elizabeth Murray

Seymour Chatman on Michelangelo Antonioni

Amy Taubin on Jia Zhang-ke

Jack Bankowsky on Jason Rhoades

Christoph Cox on sound art

Daniel Birnbaum on OEI

Damon Krukowski on Teiji Ito

Elizabeth Mangini on Arte Povera

TOP TEN
Paweł Althamer

FEATURES
FIELD TRIPS: THE ART OF MARY HEILMANN
Anne M. Wagner

SIGNS AND WONDERS: MARY HEILMANN CURATES
Tim Griffin

MODERNIST PERSUASION: LE CORBUSIER’S TOWARD AN ARCHITECTURE
Mark Wigley

1000 WORDS: YVONNE RAINER
Douglas Crimp

GHOST IN THE MACHINE: THE ART OF COSIMA VON BONIN
Yilmaz Dziewior and John Kelsey

TONE POEMS: THE FILMS OF NATHANIEL DORSKY
P. Adams Sitney

OPENINGS: BONNIE CAMPLIN
Catherine Wood

NATHAN HYLDEN
Michael Ned Holte

REVIEWS
Tom Holert on
Stan Douglas

Claire Bishop on
the 10th International Istanbul Biennial

Gregg Bordowitz on
Robert Beck

T. J. Demos on
“Recognise”

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December 2007, XLVI, No. 4

COLUMNS
Tim Griffin on Waiting for Godot: Paul Chan In New Orleans

John Waters, Amy Taubin, James Quandt, Chrissie Iles, and T. J. Wilcox on THE BEST FILMS OF THE YEAR

.

Damon Krukowski, Kim Gordon, David Byrne, Marissa Nadler, Alex Waterman, and Julian House on THE BEST MUSIC OF THE YEAR

Brigid Doherty, Arthur C. Danto, T. J. Clark, John Baldessari, Lydia Davis, Matt Weiland, Glenn Ligon, Ben Lerner, Dominique Gonzalez-Foerster, Katy Siegel, Diedrich Diederichsen, Melanie Gilligan, and Eric Banks on THE BEST BOOKS OF THE YEAR

Catherine Sullivan, Dan Graham, Emily Jacir, Alessandro Pessoli, Shinique Smith, Jennifer Allora and Guillermo Calzadilla, Tatzu Nishi, Elizabeth Peyton, Aaron Curry, Huma Bhabha, Rosalind Nashashibi, William E. Jones, Martha Rosler, Cosima von Bonin, David Humphrey, Fia Backström, Lothar Hempel, Rivane Neuenschwander, Kelly Nipper, Keith Tyson, Nate Lowman, Thomas Bayrle, Miriam Bäckström, Lecia Dole-Recio, Michael Krebber, Amy Granat, Jan de Cock, Claire Fontaine, Paulina Olowska, Sanja Ivekovic, Wade Guyton, Akram Zaatari, Xu Zhen, Jacqueline Humphries, Barbara Visser, Mario Garcia Torres, Goshka Macuga, Liz Deschenes, Roxy Paine, Enrico David, Alice Könitz, Josephine Meckseper, David Reed, Ryan Gander, Collier Schorr, and Douglas Gordon on THEIR FAVORITE EXHIBITIONS OF THE YEAR

FEATURES
ON THE GROUND
Debra Singer, Michael Ned Holte, Catherine Wood, T. J. Demos, Ryan Gander, Jennifer Allen, Tomasz Fudala, Mathieu Borysevicz

BEST OF 2007
Benjamin H. D. Buchloh, Lynne Cooke, Daniel Birnbaum, Tacita Dean, Okwui Enwezor, Ann Goldstein, David Rimanelli, John Kelsey, Claire Bishop, Johanna Burton, Jessica Morgan, Matthew Higgs, Charles Esche, Jack Bankowsky, Ali Subotnick, Bruce Hainley, Tom Vanderbilt, Marta Kuzma, Linda Norden

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January 2008, XLVI, No. 5

COLUMNS
Tim Griffin on NOTES ON JOKES

Robert Pincus-Witten, Jeff Koons, and Haim Steinbach on Ileana Sonnabend

Amy Taubin on Cristian Mungiu

Julia Bryan-Wilson on Kirsten Forkert and Mark Tribe

Damon Krukowski on David Tudor’s Rainforest IV

Damon Krukowski on David Tudor’s Rainforest IV

Damon Krukowski on David Tudor’s Rainforest IV

Sabeth Buchmann and Achim Hochdörfer on the Generali Foundation

TOP TEN
Heather Rowe

PREVIEWS
Joseph Leo Koerner on “Dutch Primitives”

Brian Sholis on the 5th Berlin Biennale

Traveling exhibiitons

FEATURES
MAN WITH A MOVIE CAMERA: THE ART OF PHIL COLLINS
Helen Molesworth

1000 WORDS: HARRY DODGE AND STANYA KAHN
Rachel Kushner

PAULO VIRNO: JOKES AND INNOVATIVE ACTION
Gerald Raunig

A NEW GEOMETRY: PAOLO VIRNO AND AUTONOMIA
Jason Smith

FILLING THE VOID: THE ART OF MUNGO THOMSON
Martin Herbert

OPENINGS: JULIA MELTZER AND DAVID THORNE
Alan Gilbert

OPENINGS: ANNETTE KELM
Jens Hoffmann

REVIEWS
Daniel Birnbaum on
André Cadere

Hal Foster on
“Forms of Resistance”

Kate Bush on
the Biennale de Lyon 2007

Diana Baldon on
the 1st Athens Biennial

Barry Schwabsky on
“Turner Prize”

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February 2008, XLVI, No. 6

COLUMNS
Tim Griffin on PERSONAL HISTORIES

Ralph Ubl on George Baker’s The Artwork Caught by the Tail

David Joselit on “Mike’s World” and “Air Kissing”

Caroline Busta on Ei Arakawa

André Rottmann on Andreas Siekmann

David Salle on Julian Schnabel’s The Diving Bell and the Butterfly

TOP TEN
Raqs Media Collective

FEATURES
ATTENTION SPAN: THE ART OF OMER FAST
Tom Holert

OUT OF THE PAST: A CONVERSATION ON EVA HESSE
Lucy R. Lippard, Nancy Holt, and Robert Smithson; James Meyer, postscript

1000 WORDS: TOM BURR
Joshua Decter

ALVIN BALTROP: PIER PHOTOGRAPHS, 1975–1986
Douglas Crimp

OPENINGS: RUTH LASKEY
Rachel Churner

REVIEWS
Colin Lang on
Blinky Palermo

Miwon Kwon on
Francis Alÿs

Carroll Dunham on
“Jasper Johns: Gray”

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March 2008, XLVI, No. 7

COLUMNS
Tim Griffin on SOCIAL REALITIES

Barrett Watten on Lytle Shaw’s Frank O’Hara: The Poetics of Coterie

James Quandt on Alexander Sokurov’s Alexandra

Amy Taubin on Gus Van Sant’s Paranoid Park

Sven Lütticken on Werner Herzog

Damon Krukowski on Kenneth Goldsmith and UbuWeb

Brian Sholis on regional nonprofits

Virginia Rutledge on Christoph Büchel and Mass MoCA

TOP TEN
Nick Mauss and Ken Okiishi

FEATURES
MIRROR DISPLACEMENTS: THE ART OF ZOE LEONARD
Mark Godfrey

MUSIC OF THE SPHERES: REFLECTIONS ON KARLHEINZ STOCKHAUSEN
Robin Maconie and La Monte Young, with Irvine Arditti, Morton Subotnick, Pierre-Laurent Aimard, Maryanne Amacher, and Björk

JEROEN DE RIJKE/WILLEM DE ROOIJ: A PORTFOLIO
Pamela M. Lee

SOTS ART: SIGNS OF THE TIMES
Boris Groys and Margarita Tupitsyn

1000 WORDS: PAUL SIETSEMA
Ali Subotnick

OPENINGS: KARLA BLACK
Michael Archer

MATIAS FALDBAKKEN
Christopher Bollen

REVIEWS
Sarah K. Rich on
“Be-Bomb”

Martin Herbert on
“The World as a Stage” and “A Theatre Without Theatre”

Anne Ellegood on
the 6th Mercosul Bienal

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April 2008, XLVI, No. 8

COLUMNS
SPECULATIONS

Paul Arthur on Errol Morris

Arthur C. Danto on Steven Holl

Tom Vanderbilt on “1973: Sorry, Out of Gas”

Graham Larkin on “The Object in Transition”

Jeffrey Kastner on the future of Spiral Jetty

Gregory Sholette on artistic labor

TOP TEN
Nora Schultz

FEATURES
HISTORICAL RETURNS
Thomas Crow

ART AND ITS MARKETS: A ROUNDTABLE DISCUSSION
Ai Weiwei, Amy Cappellazzo, Thomas Crow, Donna De Salvo, Isabelle Graw, Dakis Joannou, and Robert Pincus-Witten; moderated by James Meyer and Tim Griffin

ACCOUNTING FOR TASTE: THE ECONOMICS OF ART
Olav Velthuis

Market Index: Jeff Koons
Daniel B. Schneider

MODEST PROPOSALS
Joe Scanlan

Market Index: Paul McCarthy
Sarah Thornton

EMERGING MARKET: THE BIRTH OF THE CONTEMPORARY ART FAIR
Christine Mehring

Market Index: Lee Lozano
Katy Siegel

THE ART OF THE FAIR: AN INTERVIEW WITH FRIEZE'S AMANDA SHARP & MATTHEW SLOTOVER
Tim Griffin

PUBLIC RETRACTION: BRITISH ARTS FUNDING
Martin Herbert

Market Index: Barry McGee
Michelle Kuo

PRIMARY SOURCES: AN INTERVIEW WITH ANN TEMKIN ON MoMA'S “COLOR CHART”
Johanna Burton

Market Index: Anselm Reyle
Sarah Thornton

TRADING PLACES: THE NEW MIDDLE EAST MARKET
Negar Azimi

THE PUBLIC INTEREST: AN INTERVIEW WITH PACO UNDERHILL
Tim Griffin

REVIEWS
Yve-Alain Bois on
“Georges Seurat: The Drawings”

John-Paul Stonard on
Peter Doig

Daniel Birnbaum on
Fischli & Weiss

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May 2008, XLVI, No. 9

COLUMNS
LESSONS OF ’68

Amy Taubin on James Nares

Arthur C. Danto on the student revolt at Columbia University

Ti-Grace Atkinson on art and logic

Chris Kraus on Suck

Michelle Kuo speaks with Michael Callahan about USCO

TOP TEN
Qiu Zhijie

PREVIEWS
50 shows worldwide

Michael Wilson on the 55th Carnegie International

Brian Sholis on the Contemporary Art Museum St. Louis

Michael Cole on Gian Lorenzo Bernini

Michael Penn on the Dead Sea Scrolls

Traveling Exhibitions

FEATURES
MAY '68

THE GREAT REFUSAL
Sylvère Lotringer

A REVOLUTIONARY PROCESS NEVER ENDS
Sylvère Lotringer and Antonio Negri

THE GROUP THAT WAS (NOT) ONE: DANIEL BUREN AND BMPT
Benjamin H. D. Buchloh

INVISIBLE CITIES: HENRI LEFEBVRE’S THE EXPLOSION
Tom McDonough

THE DIFFERENCE ENGINE
Liam Gillick

NO WAVE: THE ZANZIBAR GROUP
Sally Shafto

LEARNING CURVE: RADICAL ART AND EDUCATION IN GERMANY
Tom Holert

ON THE BREACH
Gerald Raunig

INNER STATES: GUSTAVE COURBET
Paul Galvez

WHAT IS GUSTAVE COURBET?
A Portfolio by Michael Krebber

1000 WORDS: ED RUSCHA
Barry Schwabsky

IMMANENT DOMAIN: THE FILMS OF PETER HUTTON
P. Adams Sitney

REVIEWS
Bob Nickas on
Philip Taaffe

Martin Herbert on
Paul McCarthy

Suzanne Hudson on
Martin Puryear

Jordan Kantor on
Enrique Chagoya

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Summer 2008, XLVI, No. 10

COLUMNS
Tim Griffin on A New Novel

Tony Oursler and Mike Kelley on David Askevold

Kevin Pratt on Sanford Kwinter’s Far from Equilibrium

James Quandt on Jacques Nolot

Amy Taubin on Ken Jacobs

Howard Singerman on Sherrie Levine and The Mother of Us All

Catherine Wood on “Our Literal Speed”

Sean Keller on Beijing Olympics

Keller Easterling on Norman Foster’s Crystal Island

Andrew Hultkrans on the Glass House Conversations

Jessica Morgan on Between Bridges and London’s alternative spaces

Nikki Columbus on the Home Works forum in Beirut

Meredith Martin on the Rococo

Jonathan Crary on J. M. W. Turner

Deborah Solomon speaks with Peter Schjeldahl

TOP TEN
Nico Muhly

FEATURES
RITES OF SILENCE: THE ART OF WADE GUYTON
Johanna Burton

PROCEDURAL MATTERS: THE ART OF MICHAEL ASHER
Andrea Fraser

A TRIBUTE TO ALAIN ROBBE-GRILLET (1922–2008)
Tom Bishop, T. Jefferson Kline, Catherine Millet, Lawrence Weiner, Denis Hollier, Tom McCarthy

CITIZEN HAMILTON: THE ART OF RICHARD HAMILTON
Hal Foster

1000 WORDS: MARIA LASSNIG
Achim Hochdörfer

TRAVELING IMAGES: THE ART OF HITO STEYERL
T. J. Demos

OPENINGS: ALICE KÖNITZ
Michael Ned Holte

DANIEL SILVER
Gilda Williams

REVIEWS
Anne M. Wagner on
Olafur Eliasson

Elizabeth Schambelan on
the Whitney Biennial

André Rottmann on
the 5th Berlin Biennial

Julia Bryan-Wilson on
“Phantom Sightings”

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