Artist Eli Bornowksy, who curated “After Finitude,” claimed that he approached the exhibition in the same way he would paint a picture. As a result, the viewer can consider the work of all four artists separately or as part of a larger … READ ON
FOR TWO WEEKS IN APRIL 1983, Ian Wallace sat at a desk reading Kierkegaard’s On the Concept of Irony at Vancouver’s Or Gallery from midnight until 1 AM. The front door was locked, but Wallace was visible through the storefront window to… READ ON
It is easy to forget how smart Rodney Graham’s work is—in part because of its almost delightfully stupid humor—but, in fact, the majority of it slyly examines his métier. Take, for example, The Green Cinematograph Programme 1: pipe … READ ON
“Timeless” is a clichéd adjective, particularly when applied to painting, but in the case of Brice Marden’s new works in his two solo exhibitions at Matthew Marks, it is especially apropos, referring less to the transcendent effect … READ ON
It is surprising how fresh an exhibition of film and photography from 1980s Vancouver can feel. It is even more startling, however, that over the intervening decades, the social, political, and even, to a certain degree, artistic concerns … READ ON
Call it a hometown coup for Damian Moppett. In the fall of 2009, Bob Rennie, a Vancouver-based collector, real estate marketer, and chair of the North American acquisitions committee for the Tate, opened the eponymous Rennie Collection in … READ ON
Mark Lewis is a Canadian artist and filmmaker based in London. In 2009, he represented Canada at the Venice Biennale. Here he discusses the relationship the camera has to composition in his 2011 film Black Mirror at the National Gallery, … READ ON
There is no such thing as a bad translation—at least, not in the case of Stephen Prina. The complex yet playful references in his works, such as a retooling of Glenn Gould’s recording of Arnold Schönberg’s complete music for solo piano,… READ ON
Colter Jacobsen is a San Francisco–based artist. Last year he was awarded SF MoMA’s 2010 SECA Art Award. Here, Jacobsen discusses his installation Take a Deep Breath . . . Hold It . . . Hold It (The Vancouver Sun) for “11 Lights on the… READ ON
Curated by Cate Rimmer, this exhibition charts the ways in which, to quote Herman Melville, “meditation and water are wedded together.” The first in a trilogy of programs at the gallery about the ocean, the show comprises two artworks … READ ON