“Everything Flows (1980–2013)” is a small but dramatically staged exhibition that traces Lynda Benglis’s exploration of form via seventeen of her human-scale metal, ceramic, and polyurethane works made over the past four decades. … READ ON
Twice a year, Philadelphia’s Institute of Contemporary Art invites an artist, designer, publisher, or other cultural practitioner to create an installation responding the institution’s history, architecture, and current exhibitions. The… READ ON
“THE ARTIST OPERATES OUT OF THE VACUUM LEFT WHEN ALL OTHER VALUES ARE REJECTED,” notes Martha Wilson in her early photo-text composition A Portfolio of Models, 1974. Referring to her negotiation and subsequent refusal of cookie-cutter … READ ON