Since the early 1960s, Indian-born American artist Zarina Hashmi has developed a minimal artistic language that balances materiality with themes of home, displacement, and memory.… READ ON
IN A RADICAL AND SHORT-LIVED initiative in the 1960s, India’s national Films Division (established as a documentary unit just after independence in 1947) invited artists and filmmakers to develop their own experimental projects. Under the… READ ON
Though conceived to survey notions of domestic space, “HomeSpun” features some of South Asia’s leading globe-trotters, including Subodh Gupta, Rashid Rana, and Sudarshan Shetty, among more than two dozen others. … READ ON
Six stories above the noisy bustle of Chinatown, Sandeep Mukherjee’s first solo exhibition in New York (and the inaugural show of Brennan & Griffin) offers a quiet and beautiful respite. Manipulating various combinations of acrylic and … READ ON
In her exhibition “chase,” Liz Magic Laser renders a contemporary, layered interpretation of Bertolt Brecht’s 1926 play Man Equals Man––a harsh, if comedic, parable about the perils of capitalist greed. Laser’s show features a … READ ON
The larger-than-life portraits comprising the London-born Ghanaian artist Lynette Yiadom-Boakye’s exhibition “Essays and Documents” confront the viewer with strong gazes and bold brushstrokes. In contrast to what the show’s title … READ ON
In his first solo exhibition, “The Protective Motif,” Walt Cassidy maps his own unconscious through a group of photographs, drawings, and sculptures filled mostly with geometric forms. Whether these triangles, dots, and lines are meditations… READ ON
In her first solo exhibition in the United States, Lahore, Pakistan–based Risham Syed presents a striking landscape of Victoriana and contemporary violence. Comprising a series of paintings set into theatrical installations and unusual … READ ON
Featuring miniature paintings and room-size installations, and works whose reference points range from Lollywood (Lahore’s film industry) to Pakistan’s founder Muhammad Ali Jinnah, “Resemble/Reassemble” sets out to show the broad … READ ON
Like the ungraspable clauses of its title, “The More I Die, the Lighter I Get,” the works in Sudarshan Shetty’s latest exhibition are at once mysterious and subtle, each a sardonic dance of conceptual elements and material forms. The … READ ON