Whether in laboriously executed paintings or technically complex fine art prints, Chuck Close has famously reprised the same subject throughout his long career: the visages of his friends, his colleagues, and himself. The degree of removal … READ ON
For almost two decades the High Museum has sponsored “Picturing the South,” an initiative through which established contemporary photographers compose and present purely subjective portraits of the region. Given Richard Misrach’s … READ ON
Using a process determined equally by seriality and human presence, Elise Adibi draws on the sparse parameters of Minimalist facture to, paradoxically, call attention to the unique, individual character of artistic production. Five six-foot-square… READ ON
In its display of sublime suffering and desperation, Théodore Géricault’s 1819 painting The Raft of the Medusa seems an unlikely inspiration for Martin Kippenberger, an artist often remembered for his dark humor. As well, the earlier … READ ON
Since the late 1970s, Mira Schor has integrated text into works that interrogate the formal and theoretical concerns of artistic production. Her current show could be a summation of this long-term project, as the paintings and drawings on … READ ON
For the past four decades, Martha Wilson has mined herself and others to reveal the masquerades required and produced by everyday life. In particular, her project has involved highlighting, undermining, and subverting the construction of … READ ON
Jacob Lawrence’s “Migration” series, 1940–41, has long stood as the most comprehensive and telling visual account of the dramatic relocation of African Americans from the rural South to cities such as New York and Chicago during the… READ ON
With their soft focus and voyeuristic viewpoint, the untitled photographs by the late Miroslav Tichý seen in this exhibition immediately recall the long art-historical legacy of the female bather. Adapted by artists as venerable as Ingres,… READ ON
For over four decades, B. Wurtz has produced sculptures made from the neglected artifacts of daily life, presenting objects similar to each other primarily in their improbability as works of art, typically within minimalist exhibition contexts… READ ON
Keith Haring rapidly ascended in the fever-pitched art world of 1980s New York to become a fixture of both the downtown scene and popular culture. His status as a founder of the street art movement was secured with drawings characterized by… READ ON