K in this exhibition stands for Kounellis. Like a drop cap, in Untitled (all works 2013), an oversized steel K extends into the gallery space, impressing on the spectator the arrival of something to take note of, something distinctive to be… READ ON
“Say we have one problem and one hundred solutions,” writes John Cage in 36 Acrostics re and not re Duchamp, 1970, a dossier of texts organized by chance. “Instead of choosing just one of them, we use them all.” Cage’s phrase nicely… READ ON