The spirit of the early-twentieth-century painter James Ensor presides over Lane Hagood’s concise exhibition of three paintings in “Eyeball Rug, Hand Painting, and Mountains Painting.” One canvas features a variety of bizarre eyeballs… READ ON
Parts of wooden chairs, small blocks of broken granite, brightly painted flattened cardboard boxes, a photograph of Easter eggs, and fruit, both real and plastic, are largely what Colby Bird’s current exhibition is made of. While all of … READ ON
This past summer, at McKee Gallery in New York, Vija Celmins exhibited her most recent body of work—tablets of brushed gray wood fashioned to look like the handheld chalkboards that were their real-life counterparts. Placing the found and… READ ON
The Los Angeles–based artist Ry Rocklen was the first artist-in-residence at the recently opened Visual Arts Center, a project and exhibition space managed by the University of Texas at Austin. For his installation ZZZ’s, Rocklen used … READ ON
In this miniretrospective, Beryl Korot, cofounder and editor of the seminal 1970s video periodical Radical Software, demonstrates her career-long commitment to technology, language, and the history that binds the two together. Korot’s video… READ ON
The legacy of Hudson River School painter Frederic Church haunts Ben Ruggiero’s latest exhibition of experiments in photography. A picture in the entryway of this show depicts an orientation room at Olana, Church’s home on the Hudson. … READ ON
Katy Horan’s recent works on paper examine the gesture—arms flailing, or a head cocked to one side, or legs splayed in the air. Yet the figures depicted in “Lady Monsters” remain more oblique than their movements. Though these ladies… READ ON