Curated by Salah Hassan Perhaps more than any institution of its ilk,Tate Modern has made a commitment to expandingor even explodingthe Euro-American canon of postwar art. This initiative underpins its staging of “Ibrahim El-Salahi: … READ ON
IN 2012, awash in images, it is hard to conceive of a time when a photograph of someone like Nelson Mandela could be a rarity. But in the last decades of South Africa’s apartheid, leaders like Mandela, Oliver Tambo, and Robert Sobukwe were… READ ON
Curated by Frank Wagner/NGBK Realismus Studio This summer, Berlin will host the first German retrospective of Alfredo Jaar’s four-decade career. Spanning three venues, the initiative is anchored by the NGBK, which, in presenting documentation… READ ON
“DAVID GOLDBLATT IS CONCERNED with the is-ness of things,” Santu Mofokeng said of his onetime mentor earlier this year. “I’m interested in their isn’t-ness.” It is this negative metaphysics that largely shapes the South African … READ ON
Inexpensive to produce and reproduce, easy to transport and diffuse, prints have long flourished as a medium of political disaffection. This was certainly the case in South Africa, whose restless history of papery protest is charted in this… READ ON
Although one of Howard Hodgkin’s pictures bears the mawkish title Home, Home on the Range, 2001–2007, his paintings of the past decade suggest that home—broadly conceived as the ground of painting itself—is squarely in exile. To this… READ ON
Tenuously trapped in veils of glue, Gerhard Marx’s spindly weeds and other dregs of the Johannesburg veld outline piles of excavated bones in his “Cumulus” series (all works 2011). Invoking the construction and aesthetic of the Hortus… READ ON
From spiraling shots of urban blight in Kiev to the Caribbean jungle nibbling at an erstwhile grand hotel, the dystopic landscapes of Cyprien Gaillard and Mario Garcia Torres free-fall into decay. Both artists catch modernist utopian architecture… READ ON
GreenScreenRefrigerator, the title work in Mark Leckey’s latest exhibition, is an ode to the hulking black mass of a Samsung refrigerator. In a rollicking twenty-minute lyric poem, Leckey addresses the Darth Vader of his kitchen: extolling… READ ON
Modeled around the notion of “Living in Evolution,” the latest iteration of the Busan Biennale, directed by Takashi Azumaya, features a range of art exploring themes of biological development, circulatory systems, and genetic fusions. … READ ON