Nathaniel Lee

Keltie Ferris

Mitchell-Innes & Nash

December 2012

The most noticeable, and therefore notable, features of Keltie Ferris’s well-lavished paintings are their two most immediate strata: Ferris finishes off her large-scale abstractions with arrays of spray-painted dots and dashes and then … READ ON

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Eberhard Havekost

Anton Kern Gallery

November 2012

Those familiar with Eberhard Havekost’s previous output might deem the three large, colorful canvases near the entrance to his latest exhibition a radical departure from the photo-based paintings the German artist has been making for over… READ ON

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Al Taylor

David Zwirner

October 2012

The titles of the pieces in Al Taylor’s “Pass the Peas” series, 1991–92—like Pea Passing Device, or many that simply bear the name of the series in some augmented form—allude to a kineticism implied in the static objects and drawings… READ ON

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Guido van der Werve

Luhring Augustine

September 2012

Guido van der Werve’s latest film, Nummer veertien, home, 2012, opens with a somber text recounting the events surrounding composer Frédéric Chopin’s troubled life and untimely death. Taking the some 1,058 miles between Warsaw and Paris… READ ON

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Ella Kruglyanskaya

Gavin Brown's enterprise

July 2012

The title of Ella Kruglyanskaya’s latest exhibition, “Woman! Painting! Woman!,” signals the artist’s unexpected affinity with the notorious sexploitation director Russ Meyer and his most recognized film Faster, Pussycat! Kill! Kill!… READ ON

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