Upon entering Dashiell Manley’s installation, The Great Train Robbery (Scene 3 version B), 2013, the viewer is immediately confronted with a large steel wall frame and, leaning against it, a glossy Plexiglas surface. Beneath the acrylic … READ ON
As an artist, Peter Roehr explored making objects that could be mechanically reproduced. He worked feverishly at times, but ultimately rejected the idea of being an artist, his life ending shortly thereafter, when he died of cancer at the … READ ON
“Do you ever question me and my loyalty as your friend?” Sverre Bjertnes asks collaborator Bjarne Melgaard in their video If You Really Loved Me You Would Be Able to Admit that You’re Ashamed of Me, 2013. Melgaard is silent. Alissa … READ ON
Yvonne Venegas’s photography, possessing elements of portraiture and social documentation, tends toward individuals used to attention: adored actors, detested socialites, proud brides, or a famous twin sister. Her museum survey chronologically… READ ON
At a vacated corner store on the Lower East Side, dried dirt marks the interior’s tile floor while the storefront’s awning, lined with Chinese script, is the remainder of its previous owners’ aborted entrepreneurial pursuits. For now,… READ ON
Everywhere at Essex Street gallery, one sees objects depicted nearing the end of life. Faded signatures and waning pastel Visa logos are overlaid with sections of credit card information in Jason Loebs’s five untitled vertical prints (all… READ ON
“Driving enjoyment” is the rough English translation of Volkswagen’s 1990 advertising slogan. The German mantra—Fahrvergnügen—projected ease and playfulness and quickly spawned a decal, seen on cruisers like the VW Bus, that featured… READ ON
There is an easy space for skepticism when facing the shifty depictions in Jon Rafman’s art. His latest exhibition, “Mirror Sites,” is currently on view at M+B and closed at International Art Objects on June 9. Among other works, the… READ ON
Because we know how her story ends, Francesca Woodman’s retrospective reads equally as psychological study and survey exhibition. Before her suicide at age twenty-two, Woodman had produced a sizable collection of serial photographs, often… READ ON
Cheyney Thompson’s art touches on such wide-ranging subjects as the art market, temporality, and the French archetypal villain Robert Macaire—sometimes within the space of a single work. For his first US museum survey, the artist’s … READ ON