OH MY GOD, I’m having a quarter-life crisis. Should I quit my job to join the rank of interns at SoHo’s infamous Eli Klein Fine Art? Sigh. It might be a recession, but a girl can dream and drain her trust fund. Who doesn’t have a … READ ON
THE CHRISTMAS after I moved to New York, my mom gave me the complete DVD set of Seinfeld. “Piper,” she said, “your real life is like Carrie Bradshaw, why not try some Kramer?” If only we all lived in a rent-controlled, West Village … READ ON
John Miller’s revered output finds inspiration in the writings of Henri Lefebvre and Walter Benjamin, the drawings of Douglas Huebler, and the indisputable hospitality of the Midwest. His latest site-specific installation, Suburban Past … READ ON
WHO DOESN’T SHOW UP to their own funeral? And who, in god’s name, sends friends and strangers as surrogates? Maurizio Cattelan, that’s who. The ostensible occasion for The Last Word, Saturday’s seven-hour-long endurance “symposium”/roast… READ ON
LIKE SHUT UP, THIS IS IMPORTANT. The temperament of our generation can be summed up by the hashmark. If the ’90s were full of “quotation marks” indicating irony, a decisive sarcasm and a distance from the opinion of norms, our current… READ ON
Hallmark work can catapult artists’ careers so far forward that their names eventually eclipse their subsequent art before it is even seen—Lawrence Weiner is perhaps the most notable case, though Richard Berry, Ed Ruscha, and even Cy … READ ON
On view in this vast exhibition are Sonia Delaunay’s textiles and preparative studies, as well as poems, paintings, and photographic documentation of her patterns applied to window displays and even automobiles. The multifarious artist’s… READ ON
In his third solo exhibition at this gallery, the indefatigable Josh Smith employs a form of morbid humor through a study of memento mori that treads the line between irony and sincerity. A macabre sensibility lurks in his recent paintings,… READ ON
This exhibition, the first at Algus Greenspon, presents a five-decade sampling of the little-known Conceptualist Gene Beery’s paintings, several of which forgo dithering aphorisms for some knotty wordplay. The artist’s sharp, direct wit… READ ON
More often than not, people dislike public art, as it can convey social and political programming. These foreign placeholders of policy surreptitiously insert themselves into the prosaic cityscape by government mandate. An obvious anomaly is… READ ON