Suzanne Hudson

Steven Baldi

December 2014

“Branded Light,” Steven Baldi’s second solo exhibition at Thomas Duncan Gallery, picked up the theme of the camera as simultaneously tool and institution previously broached in “Lens Reflex,” a group show the artist curated at the… READ ON

IN PRINT December 2014 [TOC]

John Altoon

November 2014

Bare-chested on the dust jacket of The Holy Barbarians—Lawrence Lipton’s classic account of the Beat scene around Venice Beach, ca. 1959—John Altoon was cast as a ruffian, a role that stuck. His life was no doubt the stuff of legend, from… READ ON

IN PRINT November 2014 [TOC]


October 2014

A METONYM OF SORTS for the modernist picture, the painterly mark has gotten a bad rap: too expressive, too authorial and therefore authoritarian, too sure of its inexhaustible plenitude. Every smudge of pigment at least potentially renews … READ ON

IN PRINT October 2014 [TOC]

Lucas Ajemian

October 2014

Historically, aleatory procedures have yielded artworks that flaunt the removal of subjectivity, or at least posit as significant the marginalization of intention. Lucas Ajemian’s “Laundered Paintings,” 2010–, shown in bulk for the … READ ON

IN PRINT October 2014 [TOC]

Julia Dault

September 2014

For her first solo show in Los Angeles, “Rhythm Nation 2014,” Julia Dault installed ten paintings around one sculpture, Untitled 34, 2:45 PM–7:45 PM, April 15, 2014; 11:30 AM–12:45 PM, April 16, 2014. A decidedly material proposition,… READ ON

IN PRINT September 2014 [TOC]

Wols and Charline von Heyl

Rose Art Museum

June 2014

Curated by Katy Siegel as the first of three exhibitions to focus on artists who eschew the academic binary of abstraction and figuration, “The Matter That Surrounds Us” pairs Wols (born Alfred Otto Wolfgang Schulze) and Charline von … READ ON


Math Bass

June 2014

For Math Bass’s first solo presentation in the city where she lives and works, the artist transformed Overduin & Co. into a kind of playground, its rooms crisscrossed by chutes and ladders. Twinned versions of a waxed-steel sculpture—a … READ ON

IN PRINT Summer 2014 [TOC]

Sarah Crowner

April 2014

For her first exhibition at Nicelle Beauchene, held in 2009, Sarah Crowner juxtaposed two bodies of work: a series of unglazed ceramic vessels and a group of “paintings” sewn together from remnants of discarded fabric. Both revealed a … READ ON

IN PRINT April 2014 [TOC]

Clare Grill

March 2014

Imagine a gracious Craftsman house, turn-of-the-century floral wallpaper and wainscoting proudly intact. Now imagine a ramshackle shed in the backyard, a weathered lean-to musty from years of neglect. This is Reserve Ames, a new gallery that… READ ON

IN PRINT March 2014 [TOC]


January 2014

AMONG ITS CONNOTATIONS, the grid suggests pure geometry, with none of the anomalies endemic to nature. Agnes Martin, one of the grid’s most distinguished adepts, famously sought to manifest this perfection in her art, and her paintings … READ ON

IN PRINT January 2014 [TOC]