Gianni Di Gregorio, Mid-August Lunch, 2008, stills from a color film, 75 minutes. Left: Gianni (Gianni Di Gregorio). Right: Aunt Maria (Maria Calý) and Gianni's mother (Valeria De Franciscis).

MID-AUGUST LUNCH (2008) is an easy film to underrate. Its considerable charm lies on its surface; less immediately apparent, but underpinning the whole of the film, is the terror of grappling with the loneliness of aging. Italian actor/writer/director Gianni Di Gregorio demonstrates his multivalent talent, but not in a way that calls attention to itself. The actors, mostly nonprofessionals, are remarkably natural. At times, one can imagine Mid-August Lunch as a documentary.

A fifty-something bachelor, Gianni (Di Gregorio) lives with his ninety-three-year-old mother. The manager of Gianni’s condo solicits him to let his aunt and mother stay with Gianni and his mother; subsequently, Gianni’s doctor requests the same favor for his mother. Gianni winds up cooking and looking after four elderly women for several days. On paper, this sounds like sitcom material, but as filmed by Di Gregorio it flows like a well-crafted ’60s pop song. Mid-August Lunch treads a fine line between naturalism and cloying cuteness, thankfully keeping largely to the former. It’s hard to picture a contemporary American movie being so unself-conscious about its protagonist’s smoking and heavy drinking. Gian Enrico Bianchi’s cinematography has a golden glow, and indeed, the film captures the look and mood of summer in the south of Europe.

Di Gregorio has worked with the filmmaker Matteo Garrone as both a screenwriter (Gomorrah) and an assistant director (First Love; The Embalmer). Garrone, who produced the film, has been one of the few recent signs of life in Italian cinema, but after Mid-August Lunch, one can add Di Gregorio to the brief list of promising Italian directors.

Steven Erickson

Mid-August Lunch is available on DVD from Zeitgeist Films beginning October 5, 2010. For more details, click here.