“Filtrate” consists of two solo exhibitions by Liu Renand Zhang Ruyi who both spontaneously extend their willpower chronologically and, in a rationalized and progressive way, convert the objects of their practice into a porous power unit that filtrates and carries emotionmediafor the discussion and the output of their own individual consciousness.
 
Time and life always remains a motif for Liu Ren. He connects himself with the outside world while processing the material and the source of information. The whole process of his practice is like a transfer station, as the subjective feelings and the objective reality meet and ferment here, present themselves in the form of “a manual microblog”, or imply themselves in a minimalist installation- what is hidden behind the clear and neat visual state is emotional accumulation that can be stripped layer by layer. Born inShanghaiin 1983,Liu Rengraduated in 2007 fromCollegeofFine Arts,ShanghaiUniversity. Currently lives and works in Shanghai.
 
Zhang Ruyi takes control of her expression of emotions in a repetitive and closed way. Her works restore individuals’ state of being in the industrialized social ecology and mechanism, revealing her independent perspective and stand toward the experiential value as an artist, and prompting the individual consciousness under the pressure of the enormous external environment. As her capacity allows, she switches her daily life with the discordance of the urban life, detecting resistance by means of experience and observation, building enclosure in communication, and filtrate all the sentiments imposed by reality in the repetitive and slow practice. Born inShanghaiin 1985, Zhang Ruyi graduated with a Master’s degree fromCollegeofFine Arts,ShanghaiUniversity, in 2012. Currently lives and works in Shanghai.

In Wang Qiang’s recent paintings, the image materials he uses are not merely copies of coloring representations, but a parallel to his thoughts on paintings. While creating the figures and textures of the realistic world, Wang places himself in a Euclidean space where everyday life generates diverse possibilities. Through confirming the two dimensional inter-relations of the specific features of the world, he refines the daily diversity into a rational visual language – the images of Wang’s paintings approach infinitively to the reproductions of images, yet “elevates” the realistic precision during the process of creation, which clearly defines the boundary between the fields of paintings and images. German philosopher Heidegger and American poet Frost both borrowed the metaphor of “path in the forest” in their work. According to the philosopher, the ones who recognize the path in the forest must be professional forest rangers, while to the poet, the path becomes a life long journey with no way to return. To Wang Qiang, the forest path is where the professionals meet the life journeys, because the ‘precision’ paintings represents is an unreachable that can be perceived.
 
This is Wang Qiang's second solo exhibition at WHITE SPACE BEIJING, showcasing his latest paintings over the past year. Wang Qiang was born in Beijingin 1971. He graduated fromOil Painting Department,ChinaCentral Academy of Fine Arts in 1997; Staatliche Kunstakademie Düsseldorf in 2004. Wang now lives and works inBeijing,China.

“Filtrate” consists of two solo exhibitions by Liu Renand Zhang Ruyi who both spontaneously extend their willpower chronologically and, in a rationalized and progressive way, convert the objects of their practice into a porous power unit that filtrates and carries emotionmediafor the discussion and the output of their own individual consciousness.
 
Time and life always remains a motif for Liu Ren. He connects himself with the outside world while processing the material and the source of information. The whole process of his practice is like a transfer station, as the subjective feelings and the objective reality meet and ferment here, present themselves in the form of “a manual microblog”, or imply themselves in a minimalist installation－ what is hidden behind the clear and neat visual state is emotional accumulation that can be stripped layer by layer. Born inShanghaiin 1983,Liu Rengraduated in 2007 fromCollegeofFine Arts,ShanghaiUniversity. Currently lives and works in Shanghai.
 
Zhang Ruyi takes control of her expression of emotions in a repetitive and closed way. Her works restore individuals’ state of being in the industrialized social ecology and mechanism, revealing her independent perspective and stand toward the experiential value as an artist, and prompting the individual consciousness under the pressure of the enormous external environment. As her capacity allows, she switches her daily life with the discordance of the urban life, detecting resistance by means of experience and observation, building enclosure in communication, and filtrate all the sentiments imposed by reality in the repetitive and slow practice. Born inShanghaiin 1985, Zhang Ruyi graduated with a Master’s degree fromCollegeofFine Arts,ShanghaiUniversity, in 2012. Currently lives and works in Shanghai.