Florencia Pita Florencia Pita/FP mod
Jan 19 - Jun 16, 2013
FlorenciaPita/FP mod explores the provocations and intersections of digital technology, material experimentation, femininity, and ornament.
Florencia Pita/FP mod
January 19–June 16, 2013
Organized by the University of Michigan Museum of Art, FlorenciaPita/FP mod explores the provocations and intersections of digital technology, material experimentation, femininity, and ornament in the work of Argentina-born, Los Angeles-based architect and designer Florencia Pita. The exhibition and its related publication, part of the UMMA Books series, trace the evolution of Pita‘s design ideology through installation pieces, urban design, tableware, furniture, and architecture, as well as small adornments. Pita’s boldly colored works draw from literary, art, and biological sources; employ cutting-edge architectural fabrication techniques; and cross borders of visual art, architecture, and design.
Lead support for this exhibition is provided by the Herbert W. and Susan L. Johe Endowment and the Graham Foundation for Advanced Studies in the Fine Arts. Additional generous support is provided by Laura Lynch and Hugh McPherson.
Isamu Noguchi and Qi Baishi Isamu Noguchi and Qi Baishi: Beijing 1930
May 18 - Sep 1, 2013
This is a nationally touring exhibition organized by UMMA in partnership with the Noguchi Museum in New York.
Isamu Noguchi and Qi Baishi: Beijing 1930
May 18, 2012–September 1, 2013
Organized by UMMA in partnership with the Noguchi Museum in New York, this nationally touring exhibition project will feature approximately sixty drawings, including ink paintings, calligraphic works, and sculptures and interpretive materials from UMMA, the Noguchi Museum, and other public and private collections that will shed new light on the transformative relationship between American sculptor Isamu Noguchi (1904-1988) and Chinese ink painter Qi Baishi (1864-1957). In 1930 at the age of twenty-six, Isamu Noguchi traveled eastward on the Trans-Siberian Railroad towards Japan, where he hoped for reconciliation with his father and a reconnection with the childhood sources of his artistic inspiration. Noguchi stopped en route for six months in Beijing, where he met and studied with the renowned Chinese brush-and-ink painter Qi Baishi, an experience that greatly affected his creative vision. This exhibition will showcase the artists' cross-cultural creative impulses and underscore their respective and lasting influences on contemporary practice. The exhibition will be accompanied by a scholarly publication and will be on view in Long Island City and Seattle following its debut in Ann Arbor.
Generous support for this exhibition is provided by the University of Michigan Center for Chinese Studies.