Art Talk Series: Jennifer Wynne Reeves
 
Tuesday, June 18th at 6:30PM
RSVP at trestle@brooklynartspace.org
www.trestlegallery.org
$5 donation
 
Reeves has enjoyed numerous exhibitions internationally including one person shows at Gian Enzo Sperone in Rome, Max Protetch in New York, Ramis Barquet in New York and Monterrey, Art & Public in Geneva, The Wooster Art Museum in Massachusetts, Joan Prats in Barcelona, Gorney Bravin Lee in New York. The many reviews of her exhibitions include The New York Times by Holland Cotter, The New Yorker by Alexi Worth, New York Magazine by Jerry Saltz, Art in America by David Ebony, Art forum by Donald Kustpit, The New York Times by Ken Johnson, The Village Voice by Kim Levin and in Art in America by Sarah Valdez.

By adopting 17th- and 18th- century American folk motifs, Seattle-based Anne Siems’ portraits and still life paintings emit a haunting awkwardness. With rosy cheeks, haunted gaze and flattened features, Siems’ highly stylized figures inhabit a dreamy colonial landscape. As the world itself seems frozen in time, the transparent figures float in the foreground, forever youthful and mysterious. The delicate patterning found in traditional embroidery is the main element used to define their clothing. A thick application of paint, at times intentionally crackled to create the effect of an aged surface, emphasizes folk painting and faux antiquity. Siems' paintings ‘borrow backwards’ with a refreshing whimsy and off kilter grace, participating in the current revival of ‘old, weird America.’ ARTDAILY.ORG March 2011

Siems, who is German-born and now living in the northwestern United States, has drawn inspiration from the Guide on Wildlife in Europe, featuring unforgettable animal portraits. These, along with her youthful cast of human characters, celebrate the joys and mysteries of life. Distinct identities emerge in each portrait with fable-like stories becoming the narrative. Ritual elements from Native American medicine and culture, rabbits, deer, owls and mythological animals, their pelts and feathers, are prominent subjects in Siems’ menagerie. The muse of the artist is both real and imaginary.
 
ARTIST’S STATEMENT: In 2001 it seemed like I never recovered fully from a flu, I constantly felt fatigued and achy. Several years later I was diagnosed with Fibromyalgia. Ever since, I have been on a path to find healing. My work in psychotherapy has helped me to shift my nervous system to a calmer, less exhausting “gear” (in Fibromyalgia the nervous system is in a constant fight or flight pattern). This work has also gotten me more deeply in touch with the earth as a sacred being.
For a while now I have longed for more ritual and ceremony in my life. I was raised with little religion, but connected to Christianity through my time as a child in South America and my upbringing in Germany.
Lately, I have found my yearning for spiritual practice in the Native American traditions of shamanic medicine making. I believe in all of us is the genuine desire to connect first and foremost with that which sustains us. All of our ancestors were originally oriented toward ritual and ceremony that honored and celebrated the earth, the sky and all that exists in between.
I believe we can attain healing for the body, soul and planet by rediscovering our relationship to these roots of worship. Consciously thanking that which sustains us –the air we breathe, the earth that holds us to her and everything that surrounds us- allows for just that. — Anne Siems, 2013
 
Siems, a Fulbright Scholar, has exhibited in Canada and in Europe and widely throughout the United States.
Her work is included in such collections as the Arkansas Art Centre, Boise Art Museum, Cleveland Clinic Foundation, and the Tacoma Art Museum.

Arieff is Content Strategist for the urban planning and policy think tank, SPUR, and is a contributing columnist for the New York Times. Previously, she was the Editor in Chief of Dwell Magazine.