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In her second solo exhibition at Susanne Vielmetter, “H. Y. S. T. et al.,” Shana Lutker has transformed the gallery into a twenty-first-century dream space. The forms of her sc
When approaching “Kurt,” an exhibition about the influence of Kurt Cobain, one may at first feel skeptical. Memorabilia and other artifacts attempting to preserve the late rock
Several years ago, performance artist and Throbbing Gristle/Psychic TV founder Genesis Breyer P-Orridge had every tooth in h/er mouth extracted and replaced with gold casts. P-Orri
One could be forgiven for viewing Rosemarie Trockel’s most recent and most astonishing survey, “Deliquescence of the Mother,” as a dream (or nightmare) of domesticity and its
The idea of shelter or cover has been a long-standing motif in B. Wurtz’s work, and so it seems only appropriate that his latest show has been installed in a gallery-cum–reside
Lia Rumma’s expansive new gallery, which encompasses over twenty thousand square feet and spans three floors, is perfectly suited to Ettore Spalletti’s poetic Minimal work, whi
Realism in Russian art is inevitably mired in the turgid propaganda of socialist realism, the state-sanctioned art of the Soviet era. But though grounded in the Moscow Conceptualis
Conceived by artist and curator Joe Fyfe as an antidote to the dominance of New York School abstraction in accounts of mid-twentieth-century painting, this exhibition argues for th
Mining the legacy of Northern Renaissance artists such as Hans Baldung Grien and Albrecht Dürer, Saul Chernick’s drawings seem as much a realization of these artists’ greatest
As the most comprehensive assembly of Kutlug Ataman’s video work to date, this exhibition at the new Zaha Hadid–designed MAXXI reveals the range of subjects, themes, and affect
Text-art pioneer Mel Bochner has begun making paintings with a hydraulic press, a new process whose results––elegant and aggressive––further complicate his career-long refl
The limbless, the mutilated, the crippled, the transgendered, the obese—all those who have traditionally been assigned to the “sideshow freak” category by history’s darkest
