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critics' picks

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New York


Julie Mehretu

Painter Julie Mehretu is currently the leading revivalist of the epic-landscape form. Over the past decade, her large canvases, which invoke everything from traditional Asian inkwo

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New York


“Le Tableau”

Conceived by artist and curator Joe Fyfe as an antidote to the dominance of New York School abstraction in accounts of mid-twentieth-century painting, this exhibition argues for th

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New York


Charles Burchfield

One might expect the painting of Charles Burchfield—since forming the subject of MoMA’s first monographic exhibition, in 1930—to loom large in the annals of American art. But

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San Francisco


“Now and When”

Art exhibitions are built upon packets of time; they mark an artist’s “moment” or a curatorial conceit, which often quickly vanishes. For one of ten commissioned time-capsule

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Houston


Jennifer West

Jennifer West’s first solo museum exhibition in the United States comprises five experimental short films in which she documents the traces of allegorical and alchemical performa

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Athens


Sarah Lucas

Sometimes the simplest idea can be very effective. A case in point: Sarah Lucas’s “NUDS” sculptures: nylon tights filled with kapok stuffing, resting on cement blocks atop wo

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Mexico City


“PanAmericana”

Curated by Jens Hoffmann, this group exhibition presents the work of twenty-two emerging artists from the Americas. After observing, during his travels, the scant communication amo

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Berlin


Mona Hatoum

Though modest in size, the exhibition featuring the 2010 winner of the Käthe Kollwitz Prize, Mona Hatoum, highlights the vicissitudes of her prodigious career over three decades.

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Mexico City


“Dracula Effect”

Premised on the “vampirization” of youth culture as haunted, romantic, and historically established fodder for art, this exhibition is one of three expansive group shows that a

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Berlin


“Who Knows Tomorrow”

In the competition for a place in public memory, Berlin’s colonial history has lost out to the cold war and the Holocaust. While the city is seasoned in displaying certain shards

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New York


“Today I Made Nothing”

Alejandro Cesarco’s print Why Work?, 2008, imagines the table of contents to a book that doesn’t exist. Along with his unwritten introduction, “Arguments for the Leisure Soci

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Paris


Takeshi Kitano

Takeshi Kitano, well known as the director of art-house films like Sonatine (1993) and Fireworks (1997), and additionally famous in Japan as actor, writer, and television personali

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