September 2013


THIS PAST SUMMER, insiders met outsiders at the 55th Venice Biennale—both in the bracing anthropological and ethnographic admixtures of curator Massimiliano Gioni’s central exhibition, “The Encyclopedic Palace,” and in the panoply of social, political, and aesthetic exchanges transpiring throughout the national pavilions of the Giardini and beyond. Artforum invited …

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