September 2013

Negar Azimi

Negar Azimi

ONE OF THE WORKS IN THIS YEAR’S IRAQI PAVILION features a simple ink caricature of two men scrambling to capture a falling missile with what appears to be a stretcher. It is absurd and heartbreaking, and in many ways it perfectly captures the spirit and ethos of a country still deeply mired in the legacy of a war that began a decade ago. In the setting of a breathtaking …

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