Summer 2014

Bong Joon-ho’s Snowpiercer

Melissa Anderson

WITH CALAMITIES (economic, ecological) in the news almost every day, the “imagination of disaster,” to cite Susan Sontag’s still-influential 1965 essay on science-fiction films, has been showing signs of exhaustion lately—maybe since 2006. That year (pre–global financial crisis, pre-Fukushima, etc.) witnessed the premiere of The Host, Bong Joon-ho’s third, and most …

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