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SCENE & HERD: The Artforum Diary

July 21, 2008

William Pym on Kehinde Wiley at the Studio Museum

“Kehinde. Wiley. The World. Stage. Africa. Lagos. Dakar,” proclaimed an echoey DJ via all-weather speakers bolted above the entrance to the Studio Museum in Harlem on Wednesday night. Noising up the crowd, another palpitating Afrobeat rhythm unfurled, and despite the onus of July heat waves in Manhattan, nobody wanted to wait to have a good time.This section of Wiley’s ongoing “World Stage” project is also his first solo exhibition at the museum, as well as a homecoming of sorts to the place where, as an

… READ ON
  • Philip Tinari at the opening of James Cohan Shanghai

    …
  • Rhonda Lieberman at the opening for "Pretty Ugly"

    …

News

  • 07.23.08

    Renovation Details for Royal Academy of Arts Unveiled

  • 07.22.08

    Hildy Beyeler (1922–2008)

  • 07.22.08

    Guernica Pronounced Too Fragile to Move

  • 07.21.08

    Aspen Art Museum Chooses Architect Shigeru Ban; Tate Modern’s New Plans Revealed

International News Digest:

Former Art Forum Director Heads to Hamburger Kunsthalle; ABC, Art Forum Berlin, and Another Gallery Weekend; Pompidou Cooperates with Frieder …

in print

Summer 2008

  • T. J. Demos on the art of Hito Steyerl

  • Gilda Williams on Daniel Silver

  • Sean Keller on Beijing Olympics

CITIZEN HAMILTON

We rarely associate the Independent Group, much less Pop art, with political commitment, yet politics has been a persistent concern of Richard Hamilton’s work. Hal Foster looks ahead to a survey of polemical works by the eighty-six-year-old master.

… READ ON
artguide

CRITICS’ PICKS:


Dafne Boggeri

The title of Dafne Boggeri’s current show, “Vorrei che il cielo fosse bianco di carta” (I Wish That the Sky Were White with Paper) expresses a longing fulfilled by the exhibition’s central work.

… READ ON

LATEST REVIEWS

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  • "The Great White"
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  • Miguel Angel Rios
  • Samuel Roy-Bois
  • Mie Olise Kjærgaard
  • All 43 Current Picks
  • Remote Control:

    Summer 2004: Abigail Solomon-Godeau's dispatches from the image wars …

  • Survival of the Fattest:

    Andrew Hultkrans reviews Charlie Kaufman's 2002 film Adaptation …

  • Hot Air:

    Andrew Hultkrans covers New York's 2005 regional Air Guitar Championship …

Bookforum
  • This is not a toy

    Stephen Colbert’s Guide to White Male Oppression

  • The worst tag of all

    Finding the G-spot remains easier said than done

  • Save the males

    We could use more forceful theories from academia

  • Doughnut as symbol

    Why the Google generation isn’t as smart as it thinks

  • Why essays are so damned boring

    What is global justice and who is it for?

  • Fishing in utopia

    Can a test reveal if a person has a subconscious desire to kill himself?

Film

Jason Anderson on Bela Tarr's Sátántángo

While hardly the first auteur to favor inordinately lengthy black-and-white shots of dour figures in rain-sodden locales, Bela Tarr nevertheless took this aesthetic to a new extreme in Sátántángo (1994). His is a cinema dominated by such an air of inertia that the flow of time seems to halt altogether.

… READ ON

Video

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Pipilotti Rist, Pickelporno, 1992 (excerpt)

Pipilotti Rist's video Pickelporno.

… READ ON
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    Jérôme Bel, Pichet Klunchun and Myself (excerpt)
    Jérôme Bel
    2007, Performance
    Pichet Klunchun and myself by Jerome Bel, Nov 7-10, 2007.
     
    Presented by Dance Theater Workshop in New York and co-presented by PERFORMA for PERFORMA07.
  • close
    Klaus Nomi performs The Cold Song in Munich
    Klaus Nomi
    1982
    Klaus Nomi's performance of Purcell's The Cold Song in Munich in 1982.
  • close
    Joseph Beuys, "Sonne Statt Reagan" (1982)
    1982
    From UbuWeb:
     
    "Beuys tried his luck as a pop singer as part of his political commitment. His song 'Sonne statt Reagan' attacks Ronald Reagan's arms policy. The song was issued as a record and Beuys appeared before big audiences with it during the peace movement's demonstrations and also with the group Die Desserteure in the ARD television broadcast 'Bananas' on 3.7.1982.
     
    'Regen'', pronounced like 'Reagan', is the German for 'rain.'"
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    Paul Slocum, You're Not My Father, 2007
    Paul Slocum
    2007
    A commissioned project Paul Slocum did for turbulence.org/Networked Music Review. Original project (with better quality video) is here. Composer Nico Muhly selected this Slocum's piece in his Top Ten for the Summer 2008 issue of Artforum.

Museum Previews

U.S. Exhibitions

  • Peter Saul

    Peter Saul has been enjoying (or mired in) a protracted state of critical rediscovery for nearly twenty years—a process that may finally reach its conclusion with the artist's first American survey, organized by guest curator Dan Cameron.

    … MORE

International Exhibitions

  • Peter Doig

    Peter Doig coaxes a languid air from tremulous surfaces, and this may make him closer to the painters of the 1890s than to those of the 1990s, the decade in which he emerged.

    … MORE

500 Words

Laurie Anderson talks about Homeland

Many people came to know Laurie Anderson through her 1980 song “O Superman,” which rose to number two on the British pop charts. Anderson has had an eclectic and wide-ranging career as an artist, developing music and multimedia performance works for numerous venues and films. In 2002, she became NASA’s first artist-in-residence, and in 2007, she was the recipient of the Dorothy and Lillian Gish Prize. She will perform her latest work, Homeland, a “concert poem,” as part of the Lincoln Center Festival, July 22–26.

HOMELAND HAS TAKEN all sorts of guises. Most things you write in the studio, and then you go out and play them. Much of the material for this project, about forty songs, was developed on the road, and it keeps evolving. (There are

… READ ON
Victoria Miro Gallery
Deitch Projects
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links
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