U.S. Museum Exhibitions

The following guide to museum shows currently on view is compiled from Artforum’s three-times-yearly exhibition preview. Subscribe now to begin a year of Artforum—the world’s leading magazine of contemporary art. You’ll get all three big preview issues, featuring Artforum’s comprehensive advance roundups of the shows to see each season around the globe.

Spread from Andy Warhol’s A Gold Book, 1957, offset lithographic prints and hand coloring on paper, 14 1/2 × 23". © Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York. The Andy Warhol Foundation for the Visual Arts, Inc.

“Warhol by the Book”

WILLIAMS COLLEGE MUSEUM OF ART (WCMA)
WILLIAMSTOWN, MA
Through August 16
Curated by Matt Wrbican

Given the attention afforded every aspect of Andy Warhol’s diverse production and legacy, it is surprising that his engagement with books has taken so long to come to the fore. Like last year’s anthology Reading Andy Warhol: Author Illustrator Publisher, “Warhol by the Book” seeks to rectify this situation, bringing together some four hundred objects associated with more than eighty different books, from faux-naive self-published pre-Pop titles to the fascinatingly dark Andy Warhol’s Index (Book) of 1967, which encapsulates the look and ethos of the Silver Factory at its height. Highlights include the lesser-known 1968 print portfolio Flash—November 22, 1963, the prepublication designer’s dummy and mock-up for the Index (Book), and a diminutive but intriguing Marilyn Monroe Book Maquette, ca. 1968. With no planned catalogue, you will have to get yourself to Williamstown to see these books in person. Travels to the Andy Warhol Museum, Pittsburgh, Oct. 9, 2015– Jan. 10, 2016.

Branden W. Joseph

“Come as You Are: Art of the 1990s”

MONTCLAIR ART MUSEUM
MONTCLAIR, NJ
Through May 17
Curated by Alexandra Schwartz

The Guggenheim and the New Museum in New York have both recently examined the art of the 1990s, and “Come as You Are” promises to be a worthwhile expansion of the discussion. Attempting an overview of art production between the fall of the Berlin Wall and 9/11—including some sixty works (paintings, sculptures, prints, videos, and digital art) by forty-five artists ranging from Elizabeth Peyton to Julie Mehretu, Rirkrit Tiravanija to Felix Gonzalez-Torres—the Montclair Art Museum survey will cover all the ’90s basics, such as globalization, digital culture, and contemporary art’s ongoing (and inevitable, necessary) engagement with popular culture. “Come as You Are” is, after all, the title of one of Nirvana’s most famous songs. The comprehensive catalogue includes essays by Huey Copeland, Joan Kee, and others. Travels to the Telfair Museums, Savannah, GA, June 12–Sept. 20; University of Michigan Museum of Art, Ann Arbor, Oct. 17, 2015–Jan. 31, 2016; Blanton Museum of Art, University of Texas at Austin, Feb. 16–May 15, 2016.

David Rimanelli