Paris

Keren Cytter

This exhibition, Keren Cytter’s first in France, consists of the videos Four Seasons, 2009, Something Happened, 2007, Der Spiegel (The Mirror), 2007, The Mysterious Series, 2000

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New York

Markus Schinwald

Markus Schinwald’s first solo exhibition in New York is subtle yet emphatic in its attempt to induce a state of unease in the viewer. An installation featuring large white pillar

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Paris

Øystein Aasan

Norwegian artist Øystein Aasan has something up his sleeve: controlled explosions of images or text that stealthily disarm their reader. Aasan divides his source materials into sm

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Houston

Joseph Cohen

Prescriptive art can often unintentionally provoke apathy in the viewer—the adherence to a “rule-based” agenda may come across as shallow, if not didactic, pointing to self-i

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London

Nicholas Byrne

The list of works for Nicholas Byrne’s first solo exhibition at this gallery resembles something from the script of a fin de siècle operetta. There are paintings with names such

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Petach Tikva

Dor Guez

The ruins of history and the repression of memory—both personal recollections and collective experience—inform this solo exhibition by Dor Guez. Curated by Drorit Gur Arie, the

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Madrid

Joëlle Tuerlinckx

The diverse modes of Joëlle Tuerlinckx’s practice can be glimpsed through her relation to the very different functions of two museum spaces belonging to the Reina Sofía. In the

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Brussels

Felix Gonzalez-Torres

A joyful insouciance accompanied the opening of the first large-scale Felix Gonzalez-Torres exhibition in Brussels, with gallery-goers posing for pictures in front of mounds of can

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Chicago

Lauren E. Simonutti

Lauren E. Simonutti’s black-and-white images depict meticulously staged representations of life as she experiences it, starring herself as the main character. In 2006, the Baltim

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Boston

Liz Glynn

Following The 24 Hour Roman Reconstruction Project, her contribution to the New Museum’s first triennial in 2009, Liz Glynn continues to explore the fraught relationship between

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Copenhagen

Pia Arke

While most contemporary Danes are not proud of the colonization of Greenland, a postcolonial self-examination has been strikingly absent from the Danish art scene. The majority of

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Paris

Claire Morgan

From the far side of the gallery, Architecture, 2009, one of Claire Morgan’s suspended installations, almost disappears into thin air. From a grate of clear acrylic dowels on the

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