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critics' picks

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Mexico City


Cécile Bart

Cécile Bart’s “Interferencias” (Interferences) offers a seductive spin on post-painterly abstraction. For her first exhibition in Mexico City, the French artist presents a s

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Berlin


Özlem Altin

Continuing her ongoing exploration of how bodies take on signification and of how images move, Özlem Altin’s solo show functions as a choreography of objects and images that per

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Berlin


Maria Lassnig

The scenes in Maria Lassnig’s paintings depict physical discomfort and friction but are rendered in a palette of bright hues that cause each to seem strikingly jocund. This ambig

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Amsterdam


Jo Baer

For her new set of six large paintings, “In the Land of the Giants,” and her solo exhibition of the same name, Jo Baer travelled back to the Irish countryside, where she had se

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Berlin


Calla Henkel and Max Pitegoff

To anyone who has encountered the work of this artist duo before, Calla Henkel and Max Pitegoff’s latest exhibition is an environment that is easily recognizable as their own. Bo

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New York


Marcia Kure

Despite the muted and humble appearance of Marcia Kure’s work, her interior world is extensive. Perhaps this is due to the African-born artist’s migration from Nigeria to Berli

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New York


Vittorio Brodmann

The thirteen paintings in Vittorio Brodmann’s latest exhibition—with their cast of mutant and misbegotten grotesques, drooping visages, and a swirling, variegated palette—cou

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Paris


Julia Rometti and Victor Costales

The title of Julia Rometti and Victor Costales’s latest exhibition, “El Perspectivista,” is a nod to Amazonian perspectivism, a movement developed in the 1990s by Brazilian a

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Minneapolis


“Painter Painter”

Modesty is not a word commonly associated with the history of abstraction, but in this exhibition, curators Eric Crosby and Bartholomew Ryan have gathered work by a group of up-and

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Daegu


Choi Jeong Hwa

Since his debut in the early 1990s, Choi Jeong Hwa has been a central figure in Korean contemporary art. Yet, “Kabbala” is his first exhibition in a museum. This curatorial omi

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Dublin


Cleary & Connolly

William Chambers’s Casino at Marino is a tiny puzzle box of a building, full of architectural tricks and illusions. Built in the 1750s, it is the most important neoclassical buil

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Berlin


Alex Israel

Alex Israel believes in stardust, a magic unique to Hollywood that has the power to turn the ordinary into celebrity. Whereas in his previous output he has acted as director, sprin

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