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New York–based artist Lee Mingwei made several trips to the Mount Stuart estate, on the Scottish island of Bute, to develop the concept for his new installation there, Trilogy of
Art exhibitions are built upon packets of time; they mark an artist’s “moment” or a curatorial conceit, which often quickly vanishes. For one of ten commissioned time-capsule
“The New Décor” seems like a straightforward title for a group show exploring sculptural objects and their domestic contexts, but it also questions the way these works functio
Takeshi Kitano, well known as the director of art-house films like Sonatine (1993) and Fireworks (1997), and additionally famous in Japan as actor, writer, and television personali
Robert Morris’s ultimate importance is not as an artist but as a philosopher who happens to stage his arguments in the realm of art. This is not to negate the value of said argum
Premised on the “vampirization” of youth culture as haunted, romantic, and historically established fodder for art, this exhibition is one of three expansive group shows that a
As the most comprehensive assembly of Kutlug Ataman’s video work to date, this exhibition at the new Zaha Hadid–designed MAXXI reveals the range of subjects, themes, and affect
Vermont native Corin Hewitt has described his latest backwoods memory trip of an installation as a “prequel” to his 2008 solo exhibition “Seed Stage” at the Whitney Museum.
Though modest in size, the exhibition featuring the 2010 winner of the Käthe Kollwitz Prize, Mona Hatoum, highlights the vicissitudes of her prodigious career over three decades.
“Spectral Evidence,” the first of two exhibitions curated by Steven Lam at 1a Space, features works by Lin + Lam, Sreshta Rit Premnath, and Simon Leung. The pieces in the exhib
The word house conjures grim associations these days. The recent collision of the invisible hand of the market with fantasies of domesticity forms a subtle undercurrent for this gr
Lia Rumma’s expansive new gallery, which encompasses over twenty thousand square feet and spans three floors, is perfectly suited to Ettore Spalletti’s poetic Minimal work, whi
