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Fernando Mastrangelo has spent the past few years condensing powders into bricks of social critique. He pressed corn meal pressed into an Aztec calendar criticizing NAFTA. Human as
The key to Emilie Halpern’s second solo exhibition at this gallery turns upon the relationship of what one encounters on the floor to that on the walls. On the floors of two sepa
Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie
The title of Dutch photographer Bertien van Manen’s newest book of photographs, Let’s Sit Down Before We Go, refers to the Russian custom of pausing at home with family and fri
Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k
Priceless artifacts from the British Museum’s vast collection come into dialogue with Grayson Perry’s sardonic wit in “The Tomb of the Unknown Craftsman.” Perry explores hi
Painting and sculpture make peaceful bedfellows in this exhibition by two artists whose works, while formally dissimilar, mirror a taste for bucolic and understated beauty. The sho
Yuri Pattison’s current exhibition at this gallery, which is located in an industrial park, gives the archiving of visual information in both real and virtual storage spaces the
The late Gerald Ferguson, a revered fixture of the Nova Scotia College of Art and Design, was included in the foundational 1970 “Information” exhibition at MoMA, and his work
In the neon pink zine-catalogue produced for this group show, curator Amy Smith-Stewart describes a heightened cultural hostility to women’s bodies fostered by contemporary mass
Remember your mortality. Rachel Jones’s exhibition “Memento Mori” reworks the bulwark of art-historical iconography associated with this phrase into an absorbing display of p
Lee Mingwei, who emigrated from Taiwan to the United States in his adolescence, presents a pair of installations as a contemporary coda to this museum’s permanent exhibition on 1
