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How might artists position themselves between entertainment culture and traditional techniques of representation such as drawing? How might those different possibilities map onto t
As this small show demonstrates, Carey Young has considered deeply the realm of corporate-structured business and the legalization of Western culture. In the nearly fifteen-minute
Identifying Carol Bove’s particular approach to the found object is no easy task. The Brooklyn-based artist plunders a broad range of styles and periods, yet her aesthetic someho
This gallery devotes two consecutive shows over the season to Finnish photographer and video artist Elina Brotherus: the current retrospective of medium- to large-format color phot
Rarely does an artist have two separate but identically named museum exhibitions on view in the same country at the same time. This winter, Bjarne Melgaard’s opening of “Jealou
The not-unfounded stereotype of northern-California fog is well suited to Ewan Gibbs’s modestly scaled, labor-intensive graphite drawings, which previously depicted famous buildi
In this installment of Brice Dellsperger’s series “Body Double,” 1995–, which spans twenty-four video projects, the Paris-based artist continues to remake sequences from fe
The glass case beloved of old-world museological practice has long since been reclaimed by artists as a strategic presentational device. When a project calls for that special kind
If Hélio Oiticica’s installations offer a utopian, playful retreat from the outside world, such an ambient space is even more inviting in the nook of an institutional facility s
Carl Fudge’s latest series of works takes as its touchstone the prints of Edward Wadsworth, a prominent member of the British Vorticists, who used the hard-edged geometries of ma
A joyful insouciance accompanied the opening of the first large-scale Felix Gonzalez-Torres exhibition in Brussels, with gallery-goers posing for pictures in front of mounds of can
Before the recent onslaught of curatorial-studies programs, curators were typically educated in art history, literature, or––as in the case of Jens Hoffmann––theater. Drawi
