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critics' picks

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London


Nicholas Byrne

The list of works for Nicholas Byrne’s first solo exhibition at this gallery resembles something from the script of a fin de siècle operetta. There are paintings with names such

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Noisy-le-Sec


Bettina Samson

When the art historian Hal Foster coined the term “archival impulse,” he was referring to the practice of collecting and reordering historical information that he identified in

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Houston


Dana Frankfort

With their bright palettes and rough rectangular forms, Dana Frankfort’s latest canvases recall early Rothko. Hovering bodies of vivid colors, applied in jagged brushstrokes, ple

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Basel


“Old Ideas”

Leonard Cohen originally called Dear Heather, his 2004 album, Old Ideas, a nod to its assemblage of literary and musical influences of yore. This month, the title—with the ardent

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New York


PROW

How might artists position themselves between entertainment culture and traditional techniques of representation such as drawing? How might those different possibilities map onto t

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New York


“Vertically Integrated Manufacturing”

Murray Guy’s group show, “Vertically Integrated Manufacturing,” takes its name from the economic structure of corporations such as Walmart, which own both the supply and dist

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Paris


Keren Cytter

This exhibition, Keren Cytter’s first in France, consists of the videos Four Seasons, 2009, Something Happened, 2007, Der Spiegel (The Mirror), 2007, The Mysterious Series, 2000

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Berlin


“Conversation Pieces: A Chamber Play”

Before the recent onslaught of curatorial-studies programs, curators were typically educated in art history, literature, or––as in the case of Jens Hoffmann––theater. Drawi

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Madrid


Joëlle Tuerlinckx

The diverse modes of Joëlle Tuerlinckx’s practice can be glimpsed through her relation to the very different functions of two museum spaces belonging to the Reina Sofía. In the

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Chicago


Laura Letinsky

In her first series of domestic still-life photographs (“Morning, and Melancholia,” 2002–), Laura Letinsky put the contemporary kitchen countertop and the traditions of seve

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Berlin


Manuel Graf

What is work? Today’s art world isn’t good at drawing a clear line between professional, social, and personal activities or interchanges. In “Buchtipp 2,” Manuel Graf’s d

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Petach Tikva


Dor Guez

The ruins of history and the repression of memory—both personal recollections and collective experience—inform this solo exhibition by Dor Guez. Curated by Drorit Gur Arie, the

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