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critics' picks

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Brussels


Ann Veronica Janssens

Following solo exhibitions by noted international artists such as Mike Kelley, Yayoi Kusama, and Dan Perjovschi, it now seems that the two-and-a-half-year-old art center in Wiels,

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Baltimore


Hank Willis Thomas

Moving seamlessly across media, Hank Willis Thomas’s meticulously crafted works employ the formal language of late Minimalism to produce graphic, historically steeped meditations

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Boston


David X. Levine

Despite the fact that both his relationship to his idols and their rapport with him is completely projected, David X. Levine’s exhibition of drawings, “Brian Wilson Loves You,

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Hong Kong


MAP Office

“No man is an island,” wrote John Donne in 1624. Nearly four hundred years later, the cultural mythos of islands remains a powerful lure, provoking ongoing separatist propositi

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New York


Mercedes Matter

Viewing Mercedes Matter’s extensive body of work in this retrospective makes it difficult to resist the urge to read her oeuvre according to her biography. The extraordinary circ

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Los Angeles


William Powhida

Insider art-world jokes—as caricature, if not a kind of portraiture—speak volumes about the “contemporary” moment and often end up serving as important social and historica

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Rome


Ariel Orozco

Ariel Orozco’s first solo exhibition in Italy encompasses various socioeconomic concerns with objects and images that subvert the viewer’s initial impressions. While the artist

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London


“Art Now: Beating the Bounds”

The premise of this exhibition is curious—its title, “Art Now: Beating the Bounds,” refers to a defunct English practice in which church parishioners would reaffirm the bound

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Istanbul


Sarkis

Sarkis’s exhibition at the Istanbul Modern emphasizes the empathic relationship that the artist has always established with the locations of his shows—his constant desire to in

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Zurich


Artur Zmijewski

“Where is the world?!” wails a group of Palestinian women in Jerusalem during a weekly protest against Israeli occupiers in Artur Zmijewski’s singularly brilliant new video D

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Zürich


Stefan Burger

Contemporary artworks that reference John Cage’s seminal 4' 33" are a dime a dozen, yet few are imbued with the brilliantly pithy spirit of the original, from 1952. So it was wit

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Hong Kong


“A Blow to the Everyday”

For “A Blow to the Everyday,” curator Yuko Hasegawa presents several works that transmute ordinary aspects of urban life. Japanese artists Kenichi Hagihara, Meiro Koizumi, Ayak

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