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Dorothee Golz is well known for her humorous drawings of women whose social roles she intensifies to the point of absurdity. Take, for instance, Telekinetische Haushaltsbewältigun
The stated purpose of “Drawing,” Rachel Whiteread’s latest exhibition, is to illuminate the relationship between her rarely shown two-dimensional works and her sculptures tha
There is much more than art at stake in Jessica Jackson Hutchins’s work. Her mixed-media sculptures, prints, and works on paper, currently on view in the 2010 Whitney Biennial, a
The somewhat infelicitous title of this exhibition—one half expects a wizened old raconteur to greet visitors—belies a nuanced attention to the iterations and variations of nar
Natvar Bhavsar continues to push the boundaries of what is possible with pure color pigment in his solo exhibition “Rang,” which consists of twenty-two paintings created during
The glass case beloved of old-world museological practice has long since been reclaimed by artists as a strategic presentational device. When a project calls for that special kind
Following Manon de Boer’s examination of silence and memory in 2008’s Two Times 4'33"—a performance of John Cage’s 4'33" presented with and without recorded sound—the 16-
“Production Site” highlights the studio as a place of work, as well as a compelling aesthetic subject in itself. The “selected visual history of the artist’s studio”—in
Tatiana Trouvé, an artist who was born in Italy, grew up in Senegal, and studied in France, now lives in Paris and has become an important player on the international contemporary
Rarely does an artist have two separate but identically named museum exhibitions on view in the same country at the same time. This winter, Bjarne Melgaard’s opening of “Jealou
The not-unfounded stereotype of northern-California fog is well suited to Ewan Gibbs’s modestly scaled, labor-intensive graphite drawings, which previously depicted famous buildi
Urs Lüthi’s latest exhibition short-circuits the artist’s practice in an infinite play of references and self-quotations. The show, curated by Luca Massimo Barbero and Elena F
