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Fernando Mastrangelo has spent the past few years condensing powders into bricks of social critique. He pressed corn meal pressed into an Aztec calendar criticizing NAFTA. Human as
An installation of three silent, one-minute films by Roy Lichtenstein gives a rare glimpse into the Pop artist’s experiments in 35-mm moviemaking. Created during a two-week resid
The late Gerald Ferguson, a revered fixture of the Nova Scotia College of Art and Design, was included in the foundational 1970 “Information” exhibition at MoMA, and his work
Manhattan is an odd tabula rasa. In the press release for his latest exhibition, James Nares is quoted as saying that Lower Manhattan “nurtured the talent of a generation inspire
“Young girls? I don’t give a damn. I like small feet, I like my fabulous house with cool stuff in it.” This was John Currin’s impression, from a 2001 interview, of the stau
Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k
Rejecting the tyranny of dreariness typical of London in midwinter, this show expectantly embraces transience in nature. Films by various artists and a group of paintings by Selma
Love, like politics, longs to speak through us, and we, reciprocally, long to be heard and to speak: to feel as though on some basic level our hopes, fears, and desires register so
Buster Graybill’s exhibition “Progeny of Tush Hog” takes advantage of a symbiosis between Minimalist form and the importance of setting in a way that is both playful and smar
The sole object exhibited in Goldin+Senneby’s current show is an eighteenth-century furnace once owned by the alchemist August Nordenskiöld, designed to make gold. But it only s
If paintings produce painters, how might one understand this painting subject correctly? Certainly correctness is relative to its milieu, so in what sense can painting’s social p
Working in a method that strongly evokes an archaeological study, Gudmundur Thoroddsen has made the image––or imagining––of the patriarchal figure the focus of his solo deb
