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critics' picks

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Hämeenlinna


Charles Sandison

Charles Sandison’s latest exhibition contains only one work, but it is a big one: Tavastehus kronomagasines, 2011, fills both floors of the museum, yet the viewer experiences it

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Stockholm


Goldin+Senneby

The sole object exhibited in Goldin+Senneby’s current show is an eighteenth-century furnace once owned by the alchemist August Nordenskiöld, designed to make gold. But it only s

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The Hague


“Sound Spill”

In the work of British artist Haroon Mirza, sounds are at least as important as images. For the past few years Mirza has been making installations out of a diverse array of objects

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Los Angeles


Emilie Halpern

The key to Emilie Halpern’s second solo exhibition at this gallery turns upon the relationship of what one encounters on the floor to that on the walls. On the floors of two sepa

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Berlin


Paul Laffoley

The term post-critical has been thrown around in recent years to describe the ideals of hybridity and inclusivity governing much contemporary art. In this context, the exclusive ca

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Minneapolis


“Absentee Landlord”

If we consider the title “Absentee Landlord,” we might get the suspicion that this exhibition foregrounds its curator, John Waters. And in many ways it does. Invited by the Wal

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North Adams


“The Workers”

In Oded Hirsch’s fourteen-minute video Tochka, 2010, a dozen men build a rickety bridge across a shallow gorge in a lush green landscape. Dressed in blue workmen’s uniforms wit

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New York


Sarah Sze

Occupying adjacent galleries on the Asia Society’s second floor, eight new installations by Sarah Sze, all from 2011, meet with a selection of her works on paper from the past fi

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New York


“The Displaced Person”

Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie

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New York


Sebastian Black

The cascading alliteration in the title (“Period Pieces, Puppies Paintings, Prototype, Placeholders”) of Sebastian Black’s latest show suggests that a comprehensive selection

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New York


“Campaign”

In the neon pink zine-catalogue produced for this group show, curator Amy Smith-Stewart describes a heightened cultural hostility to women’s bodies fostered by contemporary mass

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Vancouver


Damian Moppett

Call it a hometown coup for Damian Moppett. In the fall of 2009, Bob Rennie, a Vancouver-based collector, real estate marketer, and chair of the North American acquisitions committ

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