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Slowed to near stillness, the eight video portraits on view in Brian Bress’s latest exhibition, “Under Performing,” show their subjects in various states of physical duress.
Asier Mendizabal’s latest body of work investigates the capacity of signs to embody ideas. Though the Basque artist draws from a lexicon of political and social visual symbols, i
Fernando Mastrangelo has spent the past few years condensing powders into bricks of social critique. He pressed corn meal pressed into an Aztec calendar criticizing NAFTA. Human as
Allegory may well be the underlying theme of “Make Up,” the group show at A Palazzo Gallery. If the exhibition’s title can mean “to apply cosmetics” or “to reconcile,
If we consider the title “Absentee Landlord,” we might get the suspicion that this exhibition foregrounds its curator, John Waters. And in many ways it does. Invited by the Wal
An installation of three silent, one-minute films by Roy Lichtenstein gives a rare glimpse into the Pop artist’s experiments in 35-mm moviemaking. Created during a two-week resid
The late Gerald Ferguson, a revered fixture of the Nova Scotia College of Art and Design, was included in the foundational 1970 “Information” exhibition at MoMA, and his work
Rejecting the tyranny of dreariness typical of London in midwinter, this show expectantly embraces transience in nature. Films by various artists and a group of paintings by Selma
Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie
Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k
Though David von Schlegell is better known (to those who know) for his numerous large-scale public sculptures of the 1970s and ’80s sited in the urban and natural landscape, the
The cascading alliteration in the title (“Period Pieces, Puppies Paintings, Prototype, Placeholders”) of Sebastian Black’s latest show suggests that a comprehensive selection
