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critics' picks

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Amsterdam


Adam Broomberg and Oliver Chanarin

What purposes can monuments now serve, in a culture so full of messages, meanings, and temptations? That question underlies the exhibition “Portable Monuments” at Galerie Gabri

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Washington, DC


Jerzy Janiszewski

Three of the twenty-five works in Jerzy Janiszewski’s first solo exhibition feature the logo he designed for the Solidarity trade union movement in 1980, which ignited opposition

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Los Angeles


Brian Bress

Slowed to near stillness, the eight video portraits on view in Brian Bress’s latest exhibition, “Under Performing,” show their subjects in various states of physical duress.

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Sydney


Rafael Lozano-Hemmer

Visitors are welcomed to Rafael Lozano-Hemmer’s exhibition by a conveyor belt with a computerized scanner where they are invited to place all sorts of small objects that they can

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New York


Lee Mingwei

Lee Mingwei, who emigrated from Taiwan to the United States in his adolescence, presents a pair of installations as a contemporary coda to this museum’s permanent exhibition on 1

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Toronto


“Coming After”

Spanning installation, drawing, photography, performance, and video, this ambitious exhibition brings together sixteen artists—almost all of whom were born after 1970—whose wor

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New York


Doug Wheeler

For the first time in New York, Doug Wheeler has created a pristine, white architectural environment, its curved walls suggesting a limitless interiority that allows the viewer to

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New York


Gerald Ferguson

The late Gerald Ferguson, a revered fixture of the Nova Scotia College of Art and Design, was included in the foundational 1970 “Information” exhibition at MoMA, and his work

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Beacon


Jean-Luc Moulène

Jean-Luc Moulène’s yearlong exhibition “Opus + One” comprises three distinct modules dispersed throughout the vast building. The most beguiling of all is the large gallery o

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New York


Paula Scher

As maps seem wildly alive today, endlessly radiating from smartphones while adapting to the pace of our very footsteps, graphic designer Paula Scher’s sprawling depictions of cit

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New York


Nick Mauss

Crumpled aluminum panels silk-screened with obscure photographic imagery litter the floor at Nick Mauss’s solo installation, their rolled and torn surfaces revealing glimpses of

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London


Brian Griffiths

Brian Griffiths’s brand of quasi-Victorian Arte Povera reanimates the detritus of fantastical culture to carnivalesque effect. He is known for large-scale sculptures and motley o

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