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Spanning installation, drawing, photography, performance, and video, this ambitious exhibition brings together sixteen artists—almost all of whom were born after 1970—whose wor
This retrospective of Markus Raetz’s output celebrates the artist’s printed works, which, since the 1970s, have made use of eclectic themes and forms. The show’s curators, Fa
Allegory may well be the underlying theme of “Make Up,” the group show at A Palazzo Gallery. If the exhibition’s title can mean “to apply cosmetics” or “to reconcile,
“Young girls? I don’t give a damn. I like small feet, I like my fabulous house with cool stuff in it.” This was John Currin’s impression, from a 2001 interview, of the stau
Slowed to near stillness, the eight video portraits on view in Brian Bress’s latest exhibition, “Under Performing,” show their subjects in various states of physical duress.
The Seoul Station, a major railway station built in 1925, witnessed the sociopolitical upheaval of modern Korean history until it closed in 2004. Last year it was resurrected as
In the work of British artist Haroon Mirza, sounds are at least as important as images. For the past few years Mirza has been making installations out of a diverse array of objects
Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k
Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie
The list of fictional artists in the history of art is so long that by now it could fill whole encyclopedias. With their current exhibition, “Im Reich der Sonnenfinsternis” (In
The question of whether art is capable of changing the world continues to spark polarizing debate. Common arguments against art’s capacity for such change usually do not make exp
What purposes can monuments now serve, in a culture so full of messages, meanings, and temptations? That question underlies the exhibition “Portable Monuments” at Galerie Gabri
