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“Paris-Kyoto” brings together William Eggleston’s scenes from Europe and Asia in the surroundings of a Bauhaus-style Art Deco building set in the midst of a Tokyo city block.
The Museo Tamayo opened its doors anew in April with a transformed program and identity. The strongest of the inaugural solo exhibitions is a presentation of work by Danish artist
As the most comprehensive assembly of Kutlug Ataman’s video work to date, this exhibition at the new Zaha Hadid–designed MAXXI reveals the range of subjects, themes, and affect
The word house conjures grim associations these days. The recent collision of the invisible hand of the market with fantasies of domesticity forms a subtle undercurrent for this gr
The suspended figures that leap, fall, twist, lean, and float in Denis Darzacq’s photographs were not, as one would suspect in a digital era, created on a blue screen; they were
While the expression “A to B” suggests the shortest distance between two points, artist Micah Lexier hasn’t cut any corners in curating this exhibition. Paralleling the seria
In her second solo exhibition at Susanne Vielmetter, “H. Y. S. T. et al.,” Shana Lutker has transformed the gallery into a twenty-first-century dream space. The forms of her sc
Text-art pioneer Mel Bochner has begun making paintings with a hydraulic press, a new process whose results––elegant and aggressive––further complicate his career-long refl
Martin Schoeller isn’t the first artist to photograph female bodybuilders; Robert Mapplethorpe’s images of weightlifter Lisa Lyon from the early 1980s are noted for the aesthet
Andrew Lord first gained attention in the late 1970s for ceramic vessels that looked like they had been plucked from Cubist still lifes. While he has since moved on to other themat
Mining the legacy of Northern Renaissance artists such as Hans Baldung Grien and Albrecht Dürer, Saul Chernick’s drawings seem as much a realization of these artists’ greatest
That Mary Early’s work qualifies as post-Minimalist is plain. By first building components and then balancing them against one another in roughly circular structures that have no
