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critics' picks

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Miami


Laurent Grasso

Lately, the Bass Museum of Art has been asking contemporary artists to produce exhibitions that incorporate the museum’s collection of Renaissance and Baroque art. In this iterat

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Seoul


“Countdown”

The Seoul Station, a major railway station built in 1925, witnessed the sociopolitical upheaval of modern Korean history until it closed in 2004. Last year it was resurrected as

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Paris


Markus Raetz

This retrospective of Markus Raetz’s output celebrates the artist’s printed works, which, since the 1970s, have made use of eclectic themes and forms. The show’s curators, Fa

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Los Angeles


David von Schlegell

Though David von Schlegell is better known (to those who know) for his numerous large-scale public sculptures of the 1970s and ’80s sited in the urban and natural landscape, the

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New York


Ridley Howard

“Young girls? I don’t give a damn. I like small feet, I like my fabulous house with cool stuff in it.” This was John Currin’s impression, from a 2001 interview, of the stau

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Stockholm


Goldin+Senneby

The sole object exhibited in Goldin+Senneby’s current show is an eighteenth-century furnace once owned by the alchemist August Nordenskiöld, designed to make gold. But it only s

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Nashville


Tracey Snelling

Is she an innocent woman or a femme fatale? The question lies at the heart of Tracey Snelling’s elaborate multimedia installation Woman on the Run, 2008–11, which follows the f

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New York


“The Displaced Person”

Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie

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Brescia


“Make Up”

Allegory may well be the underlying theme of “Make Up,” the group show at A Palazzo Gallery. If the exhibition’s title can mean “to apply cosmetics” or “to reconcile,

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New York


Lee Mingwei

Lee Mingwei, who emigrated from Taiwan to the United States in his adolescence, presents a pair of installations as a contemporary coda to this museum’s permanent exhibition on 1

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New York


Matt Hoyt

Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k

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Washington, DC


Jerzy Janiszewski

Three of the twenty-five works in Jerzy Janiszewski’s first solo exhibition feature the logo he designed for the Solidarity trade union movement in 1980, which ignited opposition

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