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critics' picks

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New York


“The Displaced Person”

Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie

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New York


Michael Snow

Michael Snow’s latest exhibition finds the artist on familiar thematic terrain, playing with abstraction and perception through shifting, tautological strategies. La Ferme (The F

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New York


Taylor Mead

A skull-sized dent in the canvas of Andy as the Odalisque, 1994, is just about level with Warhol’s head in Taylor Mead’s portrait of his influential friend and collaborator (Me

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Berlin


Paul Laffoley

The term post-critical has been thrown around in recent years to describe the ideals of hybridity and inclusivity governing much contemporary art. In this context, the exclusive ca

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New York


Paul Heyer and Virginia Poundstone

Painting and sculpture make peaceful bedfellows in this exhibition by two artists whose works, while formally dissimilar, mirror a taste for bucolic and understated beauty. The sho

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Beijing


Apichatpong Weerasethakul

British critic Jonathan Romney once wrote in The Independent, “We shouldn’t mistake Apichatpong [Weerasethakul]’s true nature as a hyper-sophisticated modernist with complex,

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London


Selma Makela and “Solar Do-Nothing Machine”

Rejecting the tyranny of dreariness typical of London in midwinter, this show expectantly embraces transience in nature. Films by various artists and a group of paintings by Selma

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London


Yuri Pattison

Yuri Pattison’s current exhibition at this gallery, which is located in an industrial park, gives the archiving of visual information in both real and virtual storage spaces the

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Los Angeles


Brian Bress

Slowed to near stillness, the eight video portraits on view in Brian Bress’s latest exhibition, “Under Performing,” show their subjects in various states of physical duress.

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Washington, DC


Jerzy Janiszewski

Three of the twenty-five works in Jerzy Janiszewski’s first solo exhibition feature the logo he designed for the Solidarity trade union movement in 1980, which ignited opposition

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Miami


Laurent Grasso

Lately, the Bass Museum of Art has been asking contemporary artists to produce exhibitions that incorporate the museum’s collection of Renaissance and Baroque art. In this iterat

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New York


Paula Scher

As maps seem wildly alive today, endlessly radiating from smartphones while adapting to the pace of our very footsteps, graphic designer Paula Scher’s sprawling depictions of cit

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