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Something about Lee Maida’s six new works feels like they are trying to coax new tracks from the plethora of trails already trod—trying to find new ways of being with and withi
Neil Goldberg says that he aims to capture New York’s “neutral” moments in his videos and photographs: everyday events that are “blank,” “empty,” and consequently “
For their debut exhibition in New York, Decolonizing Architecture/Art Residency (DAAR) presents Common Assembly, 2011, an ongoing project by the Israeli-Palestinian collective (fou
The conceit of this motley group show is pretty elusive: to present works that may or may not transmit their authors’ intentions, of which said authors, incidentally, may or may
According to legend, Thomas Jefferson gave Delaware the nickname “the diamond state” (presumably for its strategic location on the eastern seaboard). Today, however, it seems a
“Dan Flavin: Drawing,” the first museum retrospective of his rarely seen work on paper, includes numerous sketches the artist made en plein air, indicating a predilection to es
It’s a bit incredible: From 1974 to 1978, the Manitoba Museum of Finds Art (MMoFA) held exhibitions, acquired a permanent collection, commissioned artworks, hosted performances a
Brian O’Doherty’s overdue solo debut in Germany centers around Portrait of Marcel Duchamp, a series of objects that begin with a cardiogram O’Doherty made of the famed French
Jonas Burgert’s paintings and sculptures in “Gift gegen Zeit” (Poison Against Time) draw the viewer into a world in which everyone has lost their sense of “narrative gravit
The sociological output of Dutch photographer Rineke Dijkstra appears simple enough on the surface. Yet, as this retrospective emphasizes, her enigmatic work is continually strengt
With over one hundred photo and photomontage works from the past 150 years assembled in a single room, “Utopia/Dystopia,” taken as a whole, is as much a study in jarring ruptur
Despite art criticism’s rampant overuse of words such as traffic (or interrogate or investigate) to describe the seemingly nefarious “activities” of works, there is no better
