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“The exhibition includes six to eight new paintings.” A curiously undecided announcement for a gallery press release, but perhaps forgivable in the context of an artistic appro
Francois Sagat, the star of Bruce LaBruce’s latest film and a series of monochromatic silk-screened portraits in his exhibition “LA ZOMBIE: The film that would not die,” has
Tania Bruguera is a name familiar to anyone tuned in to the international biennial circuit. Less known are her actual installations, which are conceived in and for specific environ
There is much more than art at stake in Jessica Jackson Hutchins’s work. Her mixed-media sculptures, prints, and works on paper, currently on view in the 2010 Whitney Biennial, a
The not-unfounded stereotype of northern-California fog is well suited to Ewan Gibbs’s modestly scaled, labor-intensive graphite drawings, which previously depicted famous buildi
Dorothee Golz is well known for her humorous drawings of women whose social roles she intensifies to the point of absurdity. Take, for instance, Telekinetische Haushaltsbewältigun
Before the recent onslaught of curatorial-studies programs, curators were typically educated in art history, literature, or––as in the case of Jens Hoffmann––theater. Drawi
A joyful insouciance accompanied the opening of the first large-scale Felix Gonzalez-Torres exhibition in Brussels, with gallery-goers posing for pictures in front of mounds of can
Rarely does an artist have two separate but identically named museum exhibitions on view in the same country at the same time. This winter, Bjarne Melgaard’s opening of “Jealou
The past, we are told, is another country. We can access it from some directions, not from others. We lose our bearings, feel frustrated, retrace our steps. Such is Memory, 2008, A
How can one characterize “the calm before the storm” in a place where the storm is always raging? This is the question driving curator Vardit Gross’s selection of Israeli vid
When Queensland Art Gallery’s fifth Asia Pacific Triennial opened in 2005, it could not help but play second fiddle to the vast new Gallery of Modern Art it inaugurated, where it
