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critics' picks

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Miami


Fernando Mastrangelo

Fernando Mastrangelo has spent the past few years condensing powders into bricks of social critique. He pressed corn meal pressed into an Aztec calendar criticizing NAFTA. Human as

… READ ON

New York


“Campaign”

In the neon pink zine-catalogue produced for this group show, curator Amy Smith-Stewart describes a heightened cultural hostility to women’s bodies fostered by contemporary mass

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Toronto


“Coming After”

Spanning installation, drawing, photography, performance, and video, this ambitious exhibition brings together sixteen artists—almost all of whom were born after 1970—whose wor

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Los Angeles


“Out-of- . . . . . . . . . ”

In a midnight-blue room at the back of this gallery hangs a lonesome work (Untitled [XIX L], 2007) by James Turrell: a small reflective hologram of two polygons, joined along one e

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Seoul


“Countdown”

The Seoul Station, a major railway station built in 1925, witnessed the sociopolitical upheaval of modern Korean history until it closed in 2004. Last year it was resurrected as

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New York


Paul Heyer and Virginia Poundstone

Painting and sculpture make peaceful bedfellows in this exhibition by two artists whose works, while formally dissimilar, mirror a taste for bucolic and understated beauty. The sho

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New York


Sebastian Black

The cascading alliteration in the title (“Period Pieces, Puppies Paintings, Prototype, Placeholders”) of Sebastian Black’s latest show suggests that a comprehensive selection

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Chicago


Sharon Hayes

Love, like politics, longs to speak through us, and we, reciprocally, long to be heard and to speak: to feel as though on some basic level our hopes, fears, and desires register so

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New York


Ridley Howard

“Young girls? I don’t give a damn. I like small feet, I like my fabulous house with cool stuff in it.” This was John Currin’s impression, from a 2001 interview, of the stau

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North Adams


“The Workers”

In Oded Hirsch’s fourteen-minute video Tochka, 2010, a dozen men build a rickety bridge across a shallow gorge in a lush green landscape. Dressed in blue workmen’s uniforms wit

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New York


“Images Rendered Bare. Vacant. Recognizable.”

As Facebook feeds and Tumblr streams send digital images further from their indexical referents with every passing “Post,” the only image whose integrity cannot be eroded is th

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Vancouver


Damian Moppett

Call it a hometown coup for Damian Moppett. In the fall of 2009, Bob Rennie, a Vancouver-based collector, real estate marketer, and chair of the North American acquisitions committ

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