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critics' picks

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Houston


Dana Frankfort

With their bright palettes and rough rectangular forms, Dana Frankfort’s latest canvases recall early Rothko. Hovering bodies of vivid colors, applied in jagged brushstrokes, ple

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New York


Daniel Bozhkov

Where traditional institutional critique often dissatisfies with self-congratulatory rhetoric or a failure to engage its audience, Daniel Bozhkov’s project at this museum engulfs

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Noisy-le-Sec


Bettina Samson

When the art historian Hal Foster coined the term “archival impulse,” he was referring to the practice of collecting and reordering historical information that he identified in

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Paris


Elina Brotherus

This gallery devotes two consecutive shows over the season to Finnish photographer and video artist Elina Brotherus: the current retrospective of medium- to large-format color phot

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Copenhagen


Pia Arke

While most contemporary Danes are not proud of the colonization of Greenland, a postcolonial self-examination has been strikingly absent from the Danish art scene. The majority of

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New York


Pablo Bronstein

The Metropolitan keeps a substantial part of its contemporary display in an awkward position: a horseshoe-shaped suite of galleries between the first and second floors. On the floo

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Brisbane


Sixth Asia Pacific Triennial of Contemporary Art

When Queensland Art Gallery’s fifth Asia Pacific Triennial opened in 2005, it could not help but play second fiddle to the vast new Gallery of Modern Art it inaugurated, where it

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Basel


“Old Ideas”

Leonard Cohen originally called Dear Heather, his 2004 album, Old Ideas, a nod to its assemblage of literary and musical influences of yore. This month, the title—with the ardent

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New York


Markus Schinwald

Markus Schinwald’s first solo exhibition in New York is subtle yet emphatic in its attempt to induce a state of unease in the viewer. An installation featuring large white pillar

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New York


Marlo Pascual

The line that lies between sculpture and photography has been explored to the point of near erasure in some recent art. In Marlo Pascual’s first solo exhibition at this gallery,

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Shenzhen


“Permanent Migrants”

Located between a village and a shopping mall, “Permanent Migrants,” the inaugural exhibition in this pop-up alternative space, appropriately reflects the conditions of contemp

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Chicago


Richard Rezac

A quirky equilibrium characterizes Richard Rezac’s sculptural abstractions. They evoke the sleek minimalism of contemporary interior design as readily as they do the curvaceous f

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