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Spanning installation, drawing, photography, performance, and video, this ambitious exhibition brings together sixteen artists—almost all of whom were born after 1970—whose wor
Three of the twenty-five works in Jerzy Janiszewski’s first solo exhibition feature the logo he designed for the Solidarity trade union movement in 1980, which ignited opposition
“Young girls? I don’t give a damn. I like small feet, I like my fabulous house with cool stuff in it.” This was John Currin’s impression, from a 2001 interview, of the stau
Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k
Buster Graybill’s exhibition “Progeny of Tush Hog” takes advantage of a symbiosis between Minimalist form and the importance of setting in a way that is both playful and smar
Curator Chris Murtha’s tightly packed exhibition handles with grace what might seem to be an unimaginative enterprise: displaying still-life photographs in a horticultural societ
Allegory may well be the underlying theme of “Make Up,” the group show at A Palazzo Gallery. If the exhibition’s title can mean “to apply cosmetics” or “to reconcile,
In Oded Hirsch’s fourteen-minute video Tochka, 2010, a dozen men build a rickety bridge across a shallow gorge in a lush green landscape. Dressed in blue workmen’s uniforms wit
Fernando Mastrangelo has spent the past few years condensing powders into bricks of social critique. He pressed corn meal pressed into an Aztec calendar criticizing NAFTA. Human as
Michael Snow’s latest exhibition finds the artist on familiar thematic terrain, playing with abstraction and perception through shifting, tautological strategies. La Ferme (The F
Rejecting the tyranny of dreariness typical of London in midwinter, this show expectantly embraces transience in nature. Films by various artists and a group of paintings by Selma
In the work of British artist Haroon Mirza, sounds are at least as important as images. For the past few years Mirza has been making installations out of a diverse array of objects
