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Alienation, it would seem, can be a creative force for inclusion. And, as each of the artists in “The Displaced Person” proves, one is rarely found without the other. Freud vie
Brian Griffiths’s brand of quasi-Victorian Arte Povera reanimates the detritus of fantastical culture to carnivalesque effect. He is known for large-scale sculptures and motley o
Harry Callahan began making photographs in 1938, at the age of twenty-six, teaching himself to use a camera while working as an accounting clerk for General Motors in Detroit. The
In the neon pink zine-catalogue produced for this group show, curator Amy Smith-Stewart describes a heightened cultural hostility to women’s bodies fostered by contemporary mass
Remember your mortality. Rachel Jones’s exhibition “Memento Mori” reworks the bulwark of art-historical iconography associated with this phrase into an absorbing display of p
The cascading alliteration in the title (“Period Pieces, Puppies Paintings, Prototype, Placeholders”) of Sebastian Black’s latest show suggests that a comprehensive selection
In the work of British artist Haroon Mirza, sounds are at least as important as images. For the past few years Mirza has been making installations out of a diverse array of objects
Minutely arranged on a number of unobtrusive shelves, Matt Hoyt’s sculptural works appear as art as if by incidence: Each seems to resemble cast-off flotsam one might typically k
Working in a method that strongly evokes an archaeological study, Gudmundur Thoroddsen has made the image––or imagining––of the patriarchal figure the focus of his solo deb
Painting and sculpture make peaceful bedfellows in this exhibition by two artists whose works, while formally dissimilar, mirror a taste for bucolic and understated beauty. The sho
George Ortman’s math doesn’t always add up. His colorful geometric relief paintings, while seemingly well behaved, are anything but. Diamonds, octagons, arrows, and the occasio
Yuri Pattison’s current exhibition at this gallery, which is located in an industrial park, gives the archiving of visual information in both real and virtual storage spaces the
