New York

Marlo Pascual

The line that lies between sculpture and photography has been explored to the point of near erasure in some recent art. In Marlo Pascual’s first solo exhibition at this gallery,

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Paris

Claire Morgan

From the far side of the gallery, Architecture, 2009, one of Claire Morgan’s suspended installations, almost disappears into thin air. From a grate of clear acrylic dowels on the

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Berlin

“Conversation Pieces: A Chamber Play”

Before the recent onslaught of curatorial-studies programs, curators were typically educated in art history, literature, or––as in the case of Jens Hoffmann––theater. Drawi

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Petach Tikva

Dor Guez

The ruins of history and the repression of memory—both personal recollections and collective experience—inform this solo exhibition by Dor Guez. Curated by Drorit Gur Arie, the

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Paris

Grégory Derenne

Grégory Derenne’s interior landscapes––figurative paintings of television soundstages, art galleries, and shop fronts––balance photorealism with an exaggerated sense of

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Brisbane

Sixth Asia Pacific Triennial of Contemporary Art

When Queensland Art Gallery’s fifth Asia Pacific Triennial opened in 2005, it could not help but play second fiddle to the vast new Gallery of Modern Art it inaugurated, where it

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Berlin

John Isaac

The centerpiece of “Tears Welling Up Inside,” British artist John Isaacs’s darkly witty solo exhibition, is titled It is for you that I this (hippy scalp), 2009. Here, a deli

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Noisy-le-Sec

Bettina Samson

When the art historian Hal Foster coined the term “archival impulse,” he was referring to the practice of collecting and reordering historical information that he identified in

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Boston

Liz Glynn

Following The 24 Hour Roman Reconstruction Project, her contribution to the New Museum’s first triennial in 2009, Liz Glynn continues to explore the fraught relationship between

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New York

Skyler Brickley

Nearly every work in this small exhibition contains several, vertical rows of rough quadrilaterals––the syncopated fruits of Skyler Brickley’s roller. The tension between the

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Los Angeles

Joe Sola

As Joe Sola would have it, art is a culture industry that is simultaneously ridiculous and totally irresistible. His works relate to the field like an overenthusiastic child who sq

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London

Nicholas Byrne

The list of works for Nicholas Byrne’s first solo exhibition at this gallery resembles something from the script of a fin de siècle operetta. There are paintings with names such

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