all cities
Not simply SMS-speak, the title of Aleksandra Domanović’s current solo show, “From yu to me,” is a shorthand way to describe edifice trended into obsolescence. In 2010, Yugo
This exhibition gathers work by four Israeli artists who engage with the photographic image as a tool for critical reflection. The show’s centerpiece is Ariella Azoulay’s Civil
Concrete verbs form the foundation of Tauba Auerbach’s latest show, “Float.” Possessed of the systematic logic of Sol LeWitt and the perceptual fetish of Bridget Riley, Auerb
Entering this exhibition is like walking into somebody’s house, a feeling that is expertly cultivated in Loraini Alimantiri and Christoforos Marinos’s curatorial ode to Greek m
Brian O’Doherty’s overdue solo debut in Germany centers around Portrait of Marcel Duchamp, a series of objects that begin with a cardiogram O’Doherty made of the famed French
It’s a bit incredible: From 1974 to 1978, the Manitoba Museum of Finds Art (MMoFA) held exhibitions, acquired a permanent collection, commissioned artworks, hosted performances a
Order, in Xylor Jane’s recent body of work, is like skin: It keeps out and invites in at the same time. And like skin, alive, these paintings breathe and shift and seem never to
Matthew Moore grew up on a farm near Phoenix, in desert that was increasingly encroached on by suburban development until the recent burst of the housing bubble. His latest install
Lee Wen is no coward, though he is famous for being yellow. In his ongoing “Yellow Man” series, the Singaporean performance artist is seen in videos and photographs with canary
Curated by Marc Donnadieu, this scholarly exhibition presents specific bodies of work by five historically disparate painters—Simon Hantaï, Martin Barré, Marc Devade, Jean Dego
Floating in a room painted the color of outer space is a wooden rocket ship, part bird, part ear of corn, part co-op, piloted by carved snails from a balaclava cockpit. The sculptu
In his 2007 Harper’s magazine essay “The Ecstasy of Influence,” Jonathan Lethem probed the boundary between creative influence and plagiarism. Citing Bob Dylan’s borrowings
