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Urs Fischer’s exhibition “Skinny Sunrise,” which spans fifteen years of work, won’t wow as previous exhibitions have—there is no hole in the floor, no house of bread. Fis
Neil Goldberg says that he aims to capture New York’s “neutral” moments in his videos and photographs: everyday events that are “blank,” “empty,” and consequently “
“Timeless” is a clichéd adjective, particularly when applied to painting, but in the case of Brice Marden’s new works in his two solo exhibitions at Matthew Marks, it is esp
According to legend, Thomas Jefferson gave Delaware the nickname “the diamond state” (presumably for its strategic location on the eastern seaboard). Today, however, it seems a
Lee Wen is no coward, though he is famous for being yellow. In his ongoing “Yellow Man” series, the Singaporean performance artist is seen in videos and photographs with canary
Matthew Moore grew up on a farm near Phoenix, in desert that was increasingly encroached on by suburban development until the recent burst of the housing bubble. His latest install
The simplicity of the one thousand–plus works in Josef Albers’s “Homage to the Square” series, 1949–76, is utterly deceptive. Layering colored square upon colored square,
One of the more striking aspects of “Cuba, January 1981,” Martha Rosler’s exhibition of photographs that were taken decades ago from behind the Caribbean iron curtain and are
With over one hundred photo and photomontage works from the past 150 years assembled in a single room, “Utopia/Dystopia,” taken as a whole, is as much a study in jarring ruptur
The impact of Frank Stella’s early fusillades in black, aluminum, and copper is too enormous to distill, nearly fifty years after their conception. Beloved and enigmatic, the pai
Each detail in the eight works on view as part of Noam Rappaport’s debut show at James Fuentes is remarkably self-possessed. By detail, I mean a dash or dab of paint; a single, s
Brian O’Doherty’s overdue solo debut in Germany centers around Portrait of Marcel Duchamp, a series of objects that begin with a cardiogram O’Doherty made of the famed French
