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Lydia Ourahmane, Finitude, 2018, ash, chalk, steel, inductor base stereo system. Installation view, New Museum, New York. From the 2018 Triennial. Photo: Maris Hutchinson/EPW Studio.

A LANGUAGE OF ONE’S OWN

Negar Azimi on the art of Lydia Ourahmane

Jen Edwards, Colt SAA Peacemaker, 2017, yarn, mixed media armature, 14 x 17". Photo: Rob Wolpert.

Point Blank

The gun and the readymade

Annie Dell’Aria

Bah Lumbung

Kristian Vistrup Madsen at Documenta 15

Andrew Wyeth, Snow Hill, 1989, tempera on panel, 48 × 72". © Andrew Wyeth/Artists Rights Society (ARS); Collection of the Wyeth Foundation for American Art.

CLOSE-UP: EXQUISITE CORPSE

Zack Hatfield on Andrew Wyeth’s Funeral Group drawings, ca. 1991–94

Stanley Kwan, Rouge, 1987, 35 mm, color, sound, 93 minutes. Fleur (Anita Mui).

Unhappy Together

Stanley Kwan’s Rouge and the end of history

Alex Kong

Thomas Lanigan-Schmidt

Thomas Lanigan-Schmidt remembers Stonewall

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PALACE COUP

Rachel Haidu on Muzeum Sztuki

FOOD FOR THOUGHT

Colby Chamberlain on Alison Knowles

VENICE 2022


A LANGUAGE OF ONE’S OWN

Negar Azimi on the art of Lydia Ourahmane

Summer 2022

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