}
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}
PRINT January 2019
SYNTHESIZE ME
Sasha Frere-Jones
HOW LONG did an hour feel in 1971? Was it like three 2018 hours? Ten minutes? The music of the eighty-six-year-old French composer Éliane Radigue forces these questions because as much as it’s about synthesizers and magnetic tape and silence and held notes and resonance, it is also about time. Her work cannot be excerpted or sliced into representative swatches or versified. The movement from a piece’s beginning to its end is the motif itself; to lose even a little of that adventure is to lose the music. Œuvres électroniques (Electronic Works), a new fourteen-CD box set recently released by Ina