• artguide
  • NEWS
  • DIARY
  • SHOWS
    • PREVIEWS
    • CRITICS' PICKS
    • MUST SEE
    • PRINT REVIEWS
  • PRINT
    • TABLE OF CONTENTS
    • ARCHIVE
  • COLUMNS
    • All
    • DIARY
    • INTERVIEWS
    • SLANT
    • FILM
    • PERFORMANCE
    • PASSAGES
    • ARCHITECTURE
    • MUSIC
    • BOOKS
    • TOP TEN
  • VIDEO
  • ADVERTISE
  • CIRCULATION
    • SUBSCRIBE
    • BACK ISSUES
  • NEWSLETTERS
    • PRINT
    • DISPATCH
  • SUBSCRIBE
  • BOOKFORUM
  • 艺术论坛
  • art&education
  • LOGIN
  • REGISTER
Artforum Logo
RETURN TO SENDER

RETURN TO SENDER

DAVID TEH ON ART IN THAILAND

news Register for Dispatch

print

February 2019

ROBERT MORRIS

Simone Forti on Robert Morris

COURT RULES

Amy Taubin on Steven Soderbergh’s High Flying Bird

THE INVISIBLE VILLAGE

SASHA FRERE-JONES ON THE MUSIC OF JOHN ZORN

RETURN TO SENDER

DAVID TEH ON ART IN THAILAND

artguide

“COLORED PEOPLE TIME: MUNDANE FUTURES, QUOTIDIAN PASTS, BANAL PRESENTS”
previews

“COLORED PEOPLE TIME: MUNDANE FUTURES, QUOTIDIAN PASTS, BANAL PRESENTS”

ICA - Institute of Contemporary Art, Philadelphia
Philadelphia
Lorraine O’Grady }
print reviews

Lorraine O’Grady

Alexander Gray Associates
New York
Cynthia Gutiérrez }
critics' picks

Cynthia Gutiérrez

Proyecto Paralelo
Mexico City
Bruce Nauman
Disappearing Acts }
must see

New York

video

Excerpts from an interview with Keren Cytter

Excerpts from an interview with Keren Cytter

Keren Cytter talks about her work and “Mature Content,” her show at Museion Bolzano opening February 25, 2019, in an excerpt from this interview.

from the archive

Frank Stella, Port Tampa City, red lead on canvas, ca. 96" sq. 1964. (Coll. J. Frederick Byers.) (Color courtesy Lawrence Rubin Gallery.)

PRINT April 1970

Some Notes on the Phenomenology of Making

Robert Morris

“Much attention has been focused on the analysis of the content of art making—its end images—but there has been little attention focused upon the significance of the means.”

bookforum

  • artguide
  • ADVERTISE
  • SUBSCRIBE
  • BACK ISSUES
  • CART
  • PRIVACY POLICY
  • CONTACT
  • FOLLOW facebook instagram twitter

All rights reserved. artforum.com is a registered trademark of Artforum International Magazine, New York, NY. Terms & Conditions