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Alex Kitnick

Contributor
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    Nam June Paik, McLuhan Caged, 1967, video tape recorder, shadow-mask color television screen, stereo tape recorder, stereo tape amplifier. Installation view, Galerina Bonino, New York, 1968. © Nam June Paik Estate.
    Features
    NO RESOLUTION: VIDEO ART IN AND AROUND THE CONTEMPORARY
    Alex Kitnick on video art’s elusive past and tenuous future
    Wolfgang Tillmans, Markt, a, 1989, medium and dimensions variable.
    Features
    MAKE LIFE BEAUTIFUL
    Alex Kitnick on the art of Wolfgang Tillmans
    View of “Lifes,” 2022, Hammer Museum, Los Angeles. Floor: Charles Gaines, Falling Rock, 2000. Wall: Morag Keil, The Vomit Vortex, 2022. Photo: Joshua White.
    On Site
    GROUP THINK
    Alex Kitnick on “Lifes”
    NO RESOLUTION: VIDEO ART IN AND AROUND THE CONTEMPORARY
    Features
    FLATWARE
    Alex Kitnick on In Memory of My Feelings—Frank O’Hara, 1961
    Paintings for the Art Fund of the Museum of Artistic Culture in the Museum Bureau of IZO Narkompros collection, Moscow, 1919–20. © Encyclopedia of the Russian Avant-garde. 
    Features
    REQUIEM FOR A DREAM
    Alex Kitnick on the avant-garde museum
    Pauline Boty posing with her painting Celia Birtwell Surrounded by her Heroes, 1963, London, October 29, 1963. Photo: Michael Ward.
    Books
    Style Counsel
    Alex Kitnick on Thomas Crow’s The Hidden Mod in Modern Art: London, 1957–1969
    Caravaggio, The Inspiration of Saint Matthew, 1602, oil on canvas, 9' 8 1/2" x 6' 2 1/2".
    Slant
    Point of No Return
    Alex Kitnick on the discontent with museums
    Tom Burr, Deep Purple, 2000, wood, steel, paint. Installation view, FRAC Champagne Ardenne, Reims, France. Photo: Aurélien Mole.
    On Site
    CROSSED PATHS
    Alex Kitnick on the public art of Lower Manhattan
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    Artforum is a part of Penske Media Corporation. © 2023 PMC PEP, LLC. All Rights Reserved. PEP is a trademark of Penske Media Corporation.
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