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Catherine Damman

Contributor
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    Tiffany Sia, The Bastard Scroll, 2021, ink on continuous-feed dot-matrix paper, wooden table, chair. Installation view, Artists Space, New York. Photo: Filip Wolak.
    On Site
    Lust, Caution
    Catherine Damman on Tiffany Sia’s “Slippery When Wet”
    Lorraine O’Grady, The Clearing: or Cortés and La Malinche, Thomas Jefferson and Sally Hemings, N. and Me, 1991/2019, diptych, ink-jet prints, each 40 × 50". From Body Is the Ground of My Experience, 1991/2019. © Lorraine O’Grady/Artists Rights Society (ARS), New York.
    Features
    Risk Everything
    Catherine Damman on the art of Lorraine O’Grady
    Underwood & Underwood, Photograph of Silent Protest Parade, July 28, 1917. Photo: Wikimedia Commons.
    Interviews
    Saidiya Hartman
    Saidiya Hartman on insurgent histories and the abolitionist imaginary
    By Catherine Damman
    Wu Tsang, We hold where study, 2017, two-channel HD video, color, sound, 18 minutes 56 seconds. Installation view, Museum of Modern Art, New York, 2019. Photo: John Wronn.
    Features
    DANCE DANCE REVOLUTION
    CATHERINE DAMMAN ON WU TSANG'S WE HOLD WHERE STUDY
    Ligia Lewis, Water Will. Performance View, Performance Space New York, New York, May 25, 2019. Ligia Lewis. Photo: Maria Baranova.
    Performance
    Dancing in the Dark
    Catherine Damman on Ligia Lewis
    By Catherine Damman
    Lust, Caution
    Performance
    THESE WOMEN’S WORK
    Catherine Damman on Jackie Sibblies Drury’s Marys Seacole
    Moriah Evans, Configure. Performance view, The Kitchen, 2018. From left: João dos Santos Martins, Nicole Mannarino, and Lizzie Feidelson. Photo: Paula Court.
    Performance
    Those Women Who Destroy the Infinite
    Catherine Damman on Moriah Evans's Configure
    By Catherine Damman
    Lust, Caution
    Features
    CLOSE UP: KINETIC ELEGY
    Catherine Damman on Chris Cochrane, Dennis Cooper, and Ishmael Houston-Jones’s Them, 1986
    Loren Connors at home. Photo: Chris Perry.
    Music
    Half-Life of the Blues
    Catherine Damman on Loren Connors at Blank Forms
    By Catherine Damman
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    Artforum is a part of Penske Media Corporation. © 2023 PMC PEP, LLC. All Rights Reserved. PEP is a trademark of Penske Media Corporation.
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