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Ciarán Finlayson

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    Mickalene Thomas, Resist #2, 2021, acrylic, oil stick, rhinestones, and glitter on canvas mounted on panel, 84 × 108".
    Ciarán Finlayson on “Guarding the Art”
    Cameron Rowland, 7.5', 2015, exit height strip, 36 × 1". Installation view, 2021. The height strip allows for identification. Typically it is used at the door of gas stations and convenience stores. Photo: Dario Lasagni.
    Ciarán Finlayson on “Grief and Grievance: Art and Mourning in America”
    Dawoud Bey, Untitled #14 (Site of John Brown’s Tannery), 2017, gelatin silver print, 44 × 55". From the series “Night Coming Tenderly, Black,” 2017.
    Ciarán Finlayson on Dawoud Bey’s Untitled #14 (Site of John Brown’s Tannery), 2017
    Pope.L, Package Received but Never Opened # 21, 2017, Maisie’s Savory snack mix, The Popcorn Factory caramel popcorn, Emilie Roux Pretzel snacks, Walker’s Belgian chocolate cookies, Ghirardelli dark chocolate blueberry squares, ceramic bowl, clear plastic, silk ribbon. Installation view, Museum of Modern Art, New York, 2019. Photo: Chandra Glick. © Pope.L.
    CIARÁN FINLAYSON ON THE ART OF POPE.L
    Central Americans try to avoid teargas deployed by US border police agents during an attempt to cross the border between Mexico and the US during the first minutes of January 1, 2019, in Tijuana, Mexico. Photo: Josebeth Terriquez/EFE/Alamy Live News.
    A statement from Hannah Black, Ciarán Finlayson, and Tobi Haslett regarding Warren Kanders and the 2019 Whitney Biennial
    View of "Lessons of the Hour - Frederick Douglass," 2019. Memorial Art Gallery, Rochester. Photo: Andy Olenick / Fotowerks.
    Ciarán Finlayson on Isaac Julien’s “Lessons of the Hour — Frederick Douglass”
    PIECES DE RÉSISTANCE
    Ciarán Finlayson on Thomas Cole and Ed Ruscha
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