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Michael Ned Holte

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    Spread from Barbara T. Smith’s Coffin: Die Cut, Rick Hard-Bound, 1966–67, Xeroxes, spiral bound, 11 1⁄4 × 17 3⁄4". From the series “Coffin,” 1966–67.
    Michael Ned Holte on Barbara T. Smith’s “The Way to Be”
    Kaari Upson, Portrait (Vain German), 2020–21, urethane, resin, Aqua-Resin, pigment, fiberglass, aluminum, 29 1⁄4 × 23 1⁄4 × 2 7⁄8". From the series “Portrait (Vain German),” 2020–21. © The Kaari Upson Trust.
    Michael Ned Holte on Kaari Upson’s “Portrait (Vain German),” 2020–21
    View of Eugene Von Bruenchenhein works and partial home facsimile, Art Preserve of the John Michael Kohler Arts Center, Sheboygan, Wisconsin, 2021.
    Michael Ned Holte on the Art Preserve of the John Michael Kohler Arts Center
    Lari Pittman, Untitled #30 (A Decorated Chronology of Insistence and Resignation), 1994, acrylic, enamel, and glitter on wood, two panels, overall 6' 11" × 13' 4".
    MICHAEL NED HOLTE ON THE ART OF LARI PITTMAN
    HER OWN RISK
    Michael Ned Holte on Norman M. Klein’s Tales of the Floating Class
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