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Michelle Grabner

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Jessica Halonen, A Clock Stopped (Flowers after Manet), 2017, acrylic on linen, 4 x 11'.

Jessica Halonen

Blue Star Contemporary

Blue Star Contemporary
116 Blue Star

February 2, 2017 - May 7, 2017

By Michelle Grabner

Jeffrey Gibson, In Numbers Too Big to Ignore, 2016, glass, artificial sinew, copper, metal, wool, wood, 61 x 43".

Haggerty Museum of Art

Haggerty Museum of Art
1234 W Tory Hill St Marquette University

February 2, 2017 - May 21, 2017

By Michelle Grabner

View of “Albert Oehlen: Woods near Oehle,” 2016–17.

Cleveland Museum of Art

Cleveland Museum of Art
11150 East Boulevard

December 4, 2016 - March 12, 2017

By Michelle Grabner

View of “Fred Wilson,” 2016.

ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE

By Michelle Grabner

Print December 2016

Louise Fishman, Untitled, 2011, acrylic on metal, 8 1/2 × 7 1/4 × 1 1/4".

“Louise Fishman: Paper Louise Tiny Fishman Rock”

Institute of Contemporary Art, University of Pennsylvania

By Michelle Grabner

May 1, 2016 12:00 am

Paul McCarthy, White Snow Placemat, 2014, pencil on paper place mat, 9 1/2 × 14". From the six-part suite White Snow Placemat Drawing, WS, 2013–14.

The Renaissance Society

By Michelle Grabner

Print March 2016

Joseph Yoakum, Paradice Range near Damascus Syria South East Asia, 1969, pen and colored pencil on paper, 12 × 19".

Carl Hammer Gallery

By Michelle Grabner

Print December 2015

Erika Rothenberg, House of Cards (detail), 1992/2015, two of ninety greeting cards (gouache) from a mixed-media installation, dimensions variable.

Erika Rothenberg

Zolla/Lieberman Gallery

By Michelle Grabner

Print Summer 2015

View of “Michael Kaysen,” 2015.

By Michelle Grabner

“Arlene Shechet: All at Once”

Institute of Contemporary Art

By Michelle Grabner

May 1, 2015 12:00 am

Walter Robinson, Bidlo, 1984, acrylic on canvas, 30 × 30".

Walter Robinson

University Galleries at Illinois State University

By Michelle Grabner

Print March 2015

Fiona Clark, Jenny and Me she doesn't mind that I'm HIV, 1988, annotated cibachrome photograph from a suite of four albums, each 24 x 26”.

“Implicated and Immune”

Michael Lett

Michael Lett
312 Karangahape Road & 3 East Street Newton

January 28, 2015 - February 28, 2015

By Michelle Grabner

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Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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Artforum is a part of Penske Media Corporation. © 2023 Artforum Media, LLC. All Rights Reserved.

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