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Mira Dayal

Contributor
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    Top row, left: Lorraine O’Grady, Miscegenated Family Album (Sisters IV), L: Devonia’s sister, Lorraine; R: Nefertiti’s sister, Mutnedjmet, 1980/1994, diptych, Cibachrome prints, overall 26 × 37". From Miscegenated Family Album, 1980/1994. Top row, right: Lorraine O’Grady, Miscegenated Family Album (Sibling Rivalry), L: Nefertiti; R: Nefertiti’s sister, Mutnedjmet, 1980/1994, diptych, Cibachrome prints, overall 26 × 37". From Miscegenated Family Album, 1980/1994. Center row, left: Lorraine O’Grady, Miscegenated Family Album (Sisters II), L: Nefertiti’s daughter, Merytaten; R: Devonia’s daughter, Candace, 1980/1994, diptych, Cibachrome prints, overall 26 × 37". From Miscegenated Family Album, 1980/1994. Center row, right: Lorraine O’Grady, Miscegenated Family Album (Cross Generational), L: Nefertiti, the last image; R: Devonia’s youngest daughter, Kimberley, 1980/1994, diptych, Cibachrome prints, overall 26 × 37". From Miscegenated Family Album, 1980/1994. Bottom row, left: Lorraine O’Grady, Miscegenated Family Album (Hero Worship), L: Devonia, age 14; and Lorraine, age 3; R: Devonia, age 24; and Lorraine, age 13, 1980/1994, diptych, Cibachrome prints, overall 26 × 37". From Miscegenated Family Album, 1980/1994. Bottom row, right: Lorraine O’Grady, Miscegenated Family Album (Progress of Queens), L: Devonia, age 36; R: Nefertiti, age 36, 1980/1994, diptych, Cibachrome prints, overall 26 × 37". From Miscegenated Family Album, 1980/1994.
    Features
    Close-Up: Theory of Relativity
    Mira Dayal on Lorraine O’Grady’s Miscegenated Family Album, 1980/1994
    Rivane Neuenschwander, Work of Days, 1998/2019–20, dust on adhesive vinyl, dimensions variable. Installation view, Museum of Modern Art, New York, 2019. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY.
    Interviews
    Rivane Neuenschwander
    The artist discusses language and residues in her art
    By Mira Dayal
    Michelle Stuart, Every Wave Book (for Melville), 1979, earth, sand, and sea pebbles from North Shore of Long Island, linen, muslin-mounted rag paper, 8 × 14 × 3 1⁄2".
    Books
    LEAVES OF GRASS
    Mira Dayal on Michelle Stuart’s books
    Mona Hatoum, Remains to be Seen, 2019, concrete and steel reinforcement bars, 17' 3 7/8" x 17' 4 11/16" x 17' 4 11/16".
    Interviews
    Mona Hatoum
    Mona Hatoum on uncertainty and allure in “Remains to be Seen”
    By Mira Dayal
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