COLUMNS

  • Books

    John Canaday’s Embattled Critic

    John Canaday, Embattled Critic (New York: Noonday Press), 1962, 238 pgs.

    WHEN A GROUP OF SOME 50 artists and critics wrote to the New York Times questioning Mr. Canaday’s fairness, the Times received 600 letters from its readers, 550 of which supported Mr. Canaday. His book was greeted with full-page pleasure on the art pages of Newsweek Magazine. His voice is undoubtedly the voice of millions. But Mr. Canaday, nevertheless, insists that he is “the embattled critic.” To understand this, we must first of all grasp that Mr. Canaday’s view of recent American art is fundamentally that of a Great

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  • Books

    “Taxes and Art” and Richard H. Rush's “Art as an Investment”

    Taxes and Art (French & Co., Inc., Prentice-Hall, Inc.), 1961.

    Richard H. Rush, Art as an Investment  (Prentice-Hall, Inc.), 1961, 418 pp.

    OF THESE TWO BOOKS, Rush’s Art as an Investment must be considered the more vile, because it costs ten dollars and has 418 pages, while the French & Co. booklet can be had for the asking and is blessed with only 20 pages. By all other standards, they are at a dead heat.

    Shortly after the appearance of the French & Co. booklet, The Commissioner of Internal Revenue issued a statement declaring that his office would examine with a wiser, if sadder eye, tax returns

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  • Books

    Fred W. McDarrah's “The Artist’s World in Pictures”

    Fred W. McDarrah, The Artist’s World in Pictures (New York: Dutton), 1961, 192 pp.

    SO MUCH HAS THE MILIEU in which contemporary art is created become a part of our understanding of that art, that it is no surprise at all to discover that in a book comprising over three hundred photographs whose exclusive subject matter is “The Artist’s World,” less than a dozen of these photographs actually reproduce works of art. The rest of the book is given over entirely to an attempt to convey something of the mood and flavor of the hectic, feverish world of cold-water lofts, gallery openings, critics,

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  • Top Ten

    Tod Lippy

    Tod Lippy is an artist, designer, editor, writer, and curator based in Brooklyn. He is the creator of the nonprofit arts publication Esopus (2003–2018) and executive director of the Esopus Foundation.

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  • Top Ten

    DonChristian

    DonChristian is a New York-based artist, musician, and teacher. He creates videos, public murals, and time- and music-based performances. He has shown work at New York’s Whitney Museum of American Art, MoMA PS1, and the New Museum. He is also touring his debut album, Where There’s Smoke (2018), throughout Europe and North America.

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  • Top Ten

    Jeremy O. Harris

    Jeremy O. Harris is an actor and playwright currently residing in New Haven, Connecticut, by way of Los Angeles, California. Upcoming productions include Slave Play at the New York Theatre Workshop this fall, and “Daddy”—coproduced by New York’s Vineyard Theatre and the New Group—starring Alan Cumming, in winter 2019. He received the Rosa Parks Playwriting Award and the Lorraine Hansberry Playwriting Award for Slave Play, and is currently under commission from Lincoln Center Theater and Playwrights Horizons, both in New York.

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    Marilyn Minter

    Marilyn Minter is an artist and activist who lives and works in New York. She has staged solo exhibitions at numerous institutions in the United States and abroad, including the San Francisco Museum of Modern Art; the Contemporary Arts Center, Cincinnati; La Conservera, Centro de Arte Contemporáneo, Murcia, Spain; the Museum of Contemporary Art in Cleveland; and the Deichtorhallen, Hamburg. She is currently preparing for solo shows at Baldwin Gallery in Aspen and at Lehmann Maupin in Hong Kong.

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